吕进油画！

呂进

写生感言 从七十年代初，画小儿书三国演义的时候开始。我就热爱上了画马。记得我第一次写生也是画马，当时第一次照着实物活体的马写生，我心里还真有点紧张。这跟临摹书本上的马完全不同。当我哆哆嗦嗦画完后，我受到了旁边赶马车农民叔叔的表扬和鼓励。这更加激起了我对写生的浓厚兴趣。几乎每天一放学就去画马，赶马车的叔叔也常常向我索要我现场写生马的铅笔画，我都非常开心地赠予他们。因为这是对我写生马的肯定。他们也经常送给我西红柿和黄瓜给予我奖励和回报。从此，我对写生的热情一发不可收拾，并由此开启了我的绘画生涯…！ 从对马的各种动态写生，使我感悟到观察力要既快又要准，把马的动态像照相机一样牢记心中，这对我以后的风景写生产生了很大影响，我的写生是将客观自然转向我的主观意识，在写生过程中捕捉大自然中光和色彩的细微变化，我喜欢用自己的油画语言表现瞬间的永恒及印象！ Recollections and Feelings on Sketching From the very begining of my learning for painting in 1970s, I had fallen in love with sketching. I remember that my first sketch was horse painting, and I was a little nervous when I first sketched a real alive horse, which was totally different from the horse copying from the book. When I finished the painting of horse with trembling hands, I was praised and encouraged by many uncles, which made me more interested in sketching. Nearly every day after school, I went out to draw the horses and carriages, and the uncles who drove the carriages often asked me for my paintings of horses, and I was always very happy to gave it to them, because this was an affirmation to my painting, while they often gave me some tomatos and cucumbers as an encourage. From then on, my passion for sketching went out of hand and my painting career was opened ...... From various dynamic of horse painting, I came to realize that observation capability should be fast and accurate, which has a great influence on my future landscape painting. For example, tree shadow may be blue in the morning, and may be yellow and green in the afternoon , and may be purple in the evening. In a word, light and environment have a great influence on color. I like to capture the changes in light and color in nature, and I like to express it in my oil painting language. 个人简介 吕进 1960年生于北京，自幼酷爱绘画，1981年考入中央工艺美术学院特艺系装饰绘画专业。（现清华大学美术学院）毕业后一直从事风景油画写生与创作，现为北京美术家协会会员。（会员证号：1854） 总结起来就是，我对绘画是发自肺腑的热爱，可谓幼而好之，终生不渝。面对自然，有人喜欢用诗歌去表达，也有人喜欢用音乐去表达，而我喜欢用油画的形式抒发自己的感情，用自己的油画语言和感悟描绘我看到的自然，它是与众不同的，也是唯我独有的。 北京美协会员证 小学同学张勤在搬家时，无意发现我小学送他的画。在事隔近五十年后又回赠给我，这也是保存最完整如初我小学时的作品，可惜我幼儿园时期的作品都没有保存下来。印象最深的有几张打倒刘少奇、邓小平的漫画作品，是幼儿园大班时画的。初中时我印象还有，后来就不知所踪了。 七十年代画的马，明显是临徐悲鸿的马。 七十年代小学时的画马 七十年代小学时作品。 七十年代小学时作品。 2018年，《马场一角》50x40 02 《情洒玉带桥》160x140 01 《明城遗韵》80x60 03 《延庆永宁古城》100x80 04 《古城少女》60x 80 05 《胡同记忆》40x 50 06 《喀什古城系列》100x80 01 100x 100 02 80x120 03 60x 50 04 60x50. 05 40x 50 06 50x40. 07 60x 50 08 40x30 09 50x 40 10 60x80. 11 50x 49 12 50x40 13 80x 60 14 60x50. 15 50x 40. 16 80x60 17 80x100. 18 《渔港码头系列》40x 30 01 60x 50. 02 40x30 03 90x 70 04 60x 50. 05 60x50. 06 40x 35 07 60x 50 08 66x50 09 100x 80 10 40x30 11 50x 60 12 60x50. 13 30x 40 14 60x50 15 30x 40 16 40x 40 17 20x25 18 50x 60 19 20x 25. 20 50x60 21 40x 40 22 50x60. 23 30x 40 24 60x 50 25 30x40 26 30x40 27 20x30. 28 30x40. 29 《三亚风光系列》45x60 01 45x 60 02 30x40 03 40x 30. 04 30x 40. 05 40x30. 06 30x 40 07 40x30 08 30x 40. 09 《农家系列》直径50 01 40x50. 02 50x60 03 30x40 04 100x160 05 30x40 06 40x50. 07 80x120 08 50x60. 09 60x80 10 50x66 11 50x60 12 30x30 13 50x 60 14 40x 30 15 30x30 16 《棒子垛系列》45x60 01 40x 40 02 40x30 03 80x 100 04 150x160. 05 89x 100 06 60x50. 07 50x60. 08 50x50 09 50x 60 10 50x60 11 40x40 12 40x30. 13 直径50. 14 120x160. 15 40x50。16 40x50。17 20x25。18 30x40。19 30x 40。20 45x 60。21 50x 60。22 50x 60。23 50x60。24 50x60。25 40x50。26 40x50。27 50x60。28 50x60。29 20x30。30 50x 60。31 20x30。32 50x60。33 30x 40。34 20x20。35 40x50。36 30x40。37