全球華語詩人在線詩刋《海外詩人》第十期魯鳴《Overseas Chinese P…

遠方的詩

【遠方的詩】全球華語詩人在線詩刋【Poetry From Afar】Global Chinese Poets Online Poetry 《海外詩人》第十期魯鳴 《Overseas Chinese Poets》Issue No. 10Ming Lu 诗人简介 鲁鸣，当代旅美诗人，原花旗银行信用风险副总裁。旅行摄影达人。毕业于南开大学哲学系和社会学系，哥伦比亚大学社会医学系社会心理学专业，艺术和哲学双硕士（ABD）。90年代在海外著名刊物《华夏文摘》开始为读者熟悉。诗发表于中国《诗刊》《星星》《香港文学》《诗潮》《北京诗人》、台湾《现代诗》《笠》《创世纪》《秋水》《双子星》《两岸诗》等众多顶尖诗刊以及海外《纽约一行》《今天》《新大陆》等。全球第一个网络诗刊《橄榄树》创办人之一和编辑。已出版文集《缺少拥抱的中国人》，长篇小说《背道而驰》《缠绵的狗尾草》，诗集《原始状态》《神秘状态》，专著《软能力》。作品多次获得汉新文学奖，台湾新诗双子星最佳奖和美国五大道小说奖等其他奖项，被选入各种文本。 Lu Ming is a contemporary American poet and former vice president of credit risk at Citibank. He is a travel photographer. He graduated from Department of Philosophy and Sociology of Nankai University, and the Department of Social Medicine specialized Social Psychology at Columbia University, with a double master's degree in art and philosophy (ABD). In the 1990s, he became familiar to readers through the famous overseas magazine Huaxia Digest. His poems have been published in many top poetry journals such as Poetry Magazine, Stars, Hong Kong Literature, Poetry Tide, Beijing Poets, Modern Poetry, Li, Genesis, Autumn Water, Gemini, Cross-Strait Poetry, and First Line New York, Today, New World and other overseas publications. He is one of the founders and editors of the world‘s first online poetry magazine Olive Tree. He has published the collection Chinese People Lack of Hugs, the novels Going the Other Way and Lingering Setaria, the poetry collections Original State and Mysterious State, and the monograph Soft Skills. His works have won numerous Hanxin Literature Award, Taiwan New Poetry Gemini Best Award and American Five Avenue Novel Award and other awards, and have been selected into various books. 目录Table of contents 导言 / 杨景荣天端Introduction by Jingrong Yang & Tianduan 1、黑衣男人（附获奖评语）Man in black (with award-winning comments)2、一个人死了 A aperson died3、心灵独语 Soul talk4、老房子 Old house5、模仿 Imitation6、堆满雪的日子 Snowing days7、夏天，我在纽约 Summer, I am in New York8、死，不是一次完成的 Death is not a one-time event9、面对着街上互相照耀的影子 Facing the shadows shining on each other on the street10、坐东朝西 Sitting the east and facing the west11、自慰（附获奖评论）Enjoy yourself (with award-winning comments)12、其余的日子 The rest of the days 本斯所有诗歌插图照片均为诗人鲁鸣所摄。 导读 鲁鸣先生是一位著述颇丰的北美著名作家、诗人、旅行家，其文学作品曾荣获台湾首届新诗双子星奖、美国新大陆二十世纪奖、美国五大道小说文学奖、李白诗奖、北美汉新小说散文文学奖等多个奖项。然而，使我真正对其作品产生浓厚兴趣的，是他游历五洲四海的旅行游记。随后，他的诗歌以简洁朴实而不失张力，深邃神秘却富有触动感的特质，让我对这位神交已久的诗友另眼相看。 本辑精选了鲁鸣先生的中英双语现代诗代表作十二首。他的诗作弥漫着孤独、欲望与存在的思辨，展现个体在现实世界中的游离与探寻。他以潜意识流的方式进行自我对话，形成独特的现代主义风格，其作品以象征性的意象、冷峻而克制的语言，以及对个体存在的敏锐洞察为特点。诗人通过跳跃的意象和思绪构建诗意空间，而非线性叙述，赋予作品更强的哲思与层次感。他的诗风融合了现代主义、后现代思辨和超现实主义，语言凝练且富有张力，情感在冷静与深邃之间游走，蕴含极高的哲学性与批判意识。此外，他常在时间的流动、历史的沉积和个体的感知之间展开思考，使诗歌不仅是个体经验的呈现，更是对广阔世界的深刻反思。阅读他的作品，既能感受诗意之美，也能思索存在的本质，值得珍藏。 刊发高水平的全球华语在线诗集是《远方的诗》一如既往的追求，也是本刊的特色，旨在传递良知与正义，促进海内外诗歌文化的交流。本刊【海外诗人】栏目专注于介绍优秀的海外华语诗人，并计划在条件成熟时编译出版，向全球推广。欢迎各界支持与赞助，感谢大家的关注！ 主编：杨景荣荣誉主编：天端 Foreword Mr. Lu Ming is a prolific North American writer, poet, and traveler whose literary works have received numerous prestigious awards, including the First Twin Star Poetry Award in Taiwan, the New World 20th Century Award in the United States, the Fifth Avenue Novel Literary Award, the Li Bai Poetry Award, and the North American Hanxin Novel and Prose Literary Award. However, what truly sparked my deep interest in his works was his travel writings, documenting his journeys across the world. Later, his poetry—concise yet powerful, profound yet deeply moving—made me see this long-admired poetic friend in a new light. This collection presents twelve representative bilingual modern poems by Mr. Lu Ming. His poetry is imbued with themes of solitude, desire, and existential contemplation, reflecting the individual’s wandering and quest in the real world. Employing a stream-of-consciousness approach, he engages in introspective dialogue, shaping a distinctive modernist style characterized by symbolic imagery, restrained yet powerful language, and a keen insight into human existence. His poems often abandon linear narration in favor of fragmented imagery and thought, adding depth and philosophical weight to his work. His poetic style blends modernism, postmodern reflection, and surrealism, with language that is both precise and rich in tension, where emotions oscillate between detachment and intensity, conveying profound philosophical and critical awareness. Moreover, he frequently explores the passage of time, historical imprints, and individual perception, making his poetry not only a record of personal experience but also a profound meditation on the broader world. Reading his works allows one to appreciate poetic beauty while contemplating the essence of existence—making them truly worth treasuring. Publishing high-quality global Chinese poetry collections online has always been the mission of Poetry from Afar and remains one of its defining features. We are dedicated to promoting truth and justice while fostering the exchange of poetry and culture between China and the world. Our [Overseas Poets] section focuses on introducing outstanding Chinese poets from abroad, with plans to compile and publish selected works for global distribution when the time is right. We welcome and appreciate your support! Editor-in-Chief: Yang JingrongHonorary Editor-in-Chief: Tianduan 《黑衣男人》朗涌：胡发翔 1黑衣男人【获美国新大陆二十世纪奖】 那个黄昏你对我说，生命很简单于是我们并肩出走穿着黑衣走进风中呼吸是困难的我的肌肉在路途中失去了某种力量极度的困倦使我们都走错了方向 在一个只有两棵树的小站上 我们重逢 你仍然那么幽默 你再次对我说，生命很简单 我们依旧穿着黑衣 列车已经驶远了 我们沿着铁轨寻找从前的小石头 你额头上的伤疤 激起了我对布拉格的回忆 我们在那儿度过的小旅馆 如今是否还挂满了黄色的丝绸 我坦白地告诉你我们之间的离奇故事是我编写的我在山村里制造了情节灵感全部来自我们的黑衣你开怀大笑让我突然发现自己长高了结实了 我们终于明白所有目前流传的故事都是所谓后现代精神的翻版连格式语气都一模一样唯一没有变化的是我们彼此的黑衣以及我们相拥时激动的眼泪 （原载美国《新大陆》) Man in Black[Won the New World 20th Century Award in the United States] That eveningYou told me that life was simpleSo we walked out side by sideJogging into the wind in black clothesBreathing was difficultMy muscles lost some strength on the wayExtreme sleepiness made us both went in the wrong directio At a small station with only two treesWe met againYou were still so humorousYou told me again that life was simpleWe were still wearing black clothes The train has gone far away. We were looking for the little stone along the rails. The scar on your forehead reminded me of Prague. The small hotel where we stayed Is it still hung with yellow silk? I told you frankly I wrote the bizarre story between us I created the plot in the mountain village The inspiration all came from our black clothes You laughed heartily. I suddenly found myself taller and stronger We finally understood that all the stories currently circulating are copies of the so-called postmodern spirit Even the format and tone are exactly the same The only thing that has not changed is our black clothes and the excited tears when we hugged each other ( Originally published in the American "New World") 《黑衣男人》获奖评语著名诗人洛夫评语: “好诗中都有一些情节”胡适这句话颇有道理。《黑衣男人》正是这么一首情节生动，具有小说企图的情诗，渲染出一些凄美，故事的发展有些荒谬，甚至最后作者玩了一手“颠覆”的后现代把戏，但有味的是那件“黑衣”，他的象征品味把读者领进一个深沉的情感世界，颇堪咀嚼。 著名诗人非马评语: 一个富于戏剧性的经营与发展。一对黑衣人走进风中，在极度困倦里分道扬镳，然后在一个小站上重逢，沿着铁轨寻找旧梦(或生命的意义，两个“生命很简单”似乎做出这样的暗示)。而这些都只是我编造出来的故事情节，灵感便来自神秘的黑衣。 我们可能什么地方都没去，连你额头上的伤疤及我对布拉格的回忆，都可能是些后现代的想象拼凑。谁也无法确定，这黑衣男人不是我在无聊的山村生活中幻想出来的，而那唯一没有变化的黑衣以及相拥时激动的眼泪，也可能不是真实的。或者，根本就没有什么黑衣存在。 从情节上看，这诗里的我应该是女性。若然，则题目改为《黑衣人》似乎比较妥当。无论如何，这首诗在读者心目中所造成的黑衣意象是鲜明深刻的，并不因为它的情节是编造出来的而有所模糊或减弱。 (原载美国诗刊2000年《新大陆》第60期) Award comments for "The Man in Black" Famous poet Luo Fu "There are some plots in good poems" Hu Shi's words make sense. "The Man in Black" is such a vivid love poem with novel intentions, which exaggerates some poignancy. The development of the story is a bit absurd, and the author even plays a postmodern trick of "subversion" in the end, but the interesting thing is the "black clothes". His symbolic taste leads readers into a deep emotional world, which is worth chewing. Famous poet Fei Ma A dramatic operation and development. A pair of men in black walked into the wind, parted ways in extreme sleepiness, and then met again at a small station, looking for old dreams along the railroad tracks (or the meaning of life, the two "life is simple" seem to make such a suggestion). And these are just the plots I made up, inspired by the mysterious black clothes. We may not have gone anywhere, even the scar on your forehead and my memories of Prague may be some postmodern imagination patchwork. No one can be sure that this man in black is not a fantasy of my boring mountain village life, and the only black clothes that have not changed and the excited tears when hugging may not be real. Or, there is no black clothes at all. From the plot point of view, “I”in this poem should be a woman. If so, it seems more appropriate to change the title to "Man in Black". In any case, the image of black clothes created by this poem in the reader's mind is vivid and profound, and it is not blurred or weakened because its plot is made up. 2 一个人死了 一个人死了你说不出任何话来 我们都要死的他和我们有什么相关很多人是这样想的享受今天的饭菜 你的心脏痛得很厉害独自下楼吃了面包和牛奶想着这个人死后和我们的未来 他是那个时代的镜子碎了，再也照不出我们往日的胸怀。或许你的疼痛是和这有关 这个人死了你的沉默大过悲哀顺着小镇中心走了一圈又一圈就把他给忘了 一个人死了还有很多空白 (原载纽约《一行》) A Person Died One person diedYou were speechless We are all going to dieWhat does he have to do with us?Many people think soEnjoy today's meal Your heart hurts so muchGo downstairs alone to eat bread and to drink milkThinking about this person's deathand our future He is the mirror of that eraBroken, it can no longer reflect ourthe heart of the past. Maybeyour pain is related to it This person diedYour silence is greater than sorrowWalking around and around the downtownYou forgot about him A person diedThere are still many blanks (Originally published in New York by One Line ） 　　 3心灵独语 在我身上找不到永恒的光泽你娱乐吧，在我的街道里我的耳根上没有沉甸甸的珠宝我不想招摇过市 文明悬浮着食尽人间烟火的风气隐居未来在众人津津有味的晚餐上我逃离生存空座为安 我在热闹的地带上永久缺席你看得出来我对夜间独有情钟请不要奇怪当你发现我身为黑暗 你是我的同谋在爱和肯定中你怀疑的目光是何等沉重而我，已不能无牵无挂注视我安静的面孔你收集不到春风 我是幸运的在远离母亲的城堡里我和你到达了一种对称在周而复始的轨道中我荒芜的手鬼巷交错而你，迷路不归 途径悄声细语世世代代的亡魂不断复活我是墓碑在你哭泣的时候生长青草和花朵 （原载美国《今天》） Soul Talk You can’t find the eternal luster in meHave fun, in my streetsThere are no heavy jewels on my earsI don’t want to show off Civilization is suspendedThe atmosphere of eating takes over the earthly charm of lifeand hides in the futureAt the dinner that everyone is enjoyingI escape from the existence and sit in peace. I am permanently absent in the bustling areaYou can see that I have a special love for nightsPlease don’t be surprised when you find that I am the darkness You are my accompliceIn love and affirmation, your suspicious eyes are so heavyAnd I can no longer stop any worriesLook at my quiet faceYou can’t collect the spring breeze I am lucky. In the castle far away from my motheryou and I have reached a symmetryIn the repetitive track, my desolate hands intersect in the ghost alleysYou lose your way and never return The road whispersThe dead souls of generations are constantly resurrectedI am a tombstoneWhen you cry, its grass and flowers grow (Originally published in the United States by Today) 4老房子 有两张大床和一张双层床两间卧室共一个门他睡在双层床的下面谁做爱都能听得见 那老房子已有三十五年座落南方一条充满绿意的江边他从小就不喜欢那老房子整天跑到江边去眺望对岸的风景 有一天，他竟然游过了江把母亲吓了一大跳回来后, 被关在老房子里紧紧地锁住 就是那栋老房子冬天没暖气, 贼冷夏日却热得要死在一片瑟瑟的年轮中他低吟浅唱着重复的童谣 老房子的主人已换了好几家那里已爬满了青藤和牵牛花他再也不想去探望当年他逃出那栋老房子被折腾得够呛 可是他清楚地记得一轮冷漠的月亮挂在老房子的屋顶上斑点点的树影下青蛙唱了又唱 (原载台湾《秋水》诗刊） The Old House There are two large beds and a bunk bedThe two bedrooms share one doorHe sleeps under the bunk bedCan hear anyone who makes love The old houseis thirty-five years oldIt is located on a green river in the southHe never liked the old house since he was a childHe ran to the river all day to look at the scenery on the other side One day, he actually swam across the riverIt scared his motherAfter returning, he was locked in the old houseTightly It was the old houseThere was no heating in the winter, it was very coldBut it was extremely hot in the summerIn the shivering annual ringsHe hummed and sang repetitive nursery rhymes The owner of the old house has changed several timesIt is now covered with ivy and morning gloryHe never wanted to visit it againWhen he escaped from the old houseHe was tortured enough But he clearly rememberedA cold moonHanging on the roof of the old houseUnder the dotted shadows of the treesFrogs sang again and again (Originally published in Taiwan's "Qiu Shui" Poetry Magazine) 5模仿 初冬，纽约的摩登大楼上一个美女，忽高忽低从天而降，人们说她是神的使者惊人的口号震撼全球这是二十一世纪大家都在纷纷模仿她让脚重心失去平衡骄傲地飞翔 我从纽约来到凤凰城在南山，享受蓝天沐浴阳光，在山顶想象美女来到我身边是否知道我早就见过她是否她会成为相映成辉的白云 而扶摇直下的降落伞被风吹走，被人们遗忘这个美女，最终没有来到我的身旁 上周徒步，我一不小心向大秦透露我很熟悉这位大美女一场可预知的大雨倾泻而下那些温暖的光和景仿佛回到了复古 最终，大秦和我握手言和目睹亚利桑那州的荒野山岭毫无人工修饰的造作我对他说，我不会模仿我不会越过底线我有恐高症，必须脚踏实地 （原载美国《新大陆》） Imitating In early winter, on the modern skyscrapers of New York A beauty, rising and falling Descends from the sky, people say that she is a messenger of GodA shocking slogan shakes the world This is the 21st century Everyone is imitating her Letting their center of gravity of the feet lose balance Flying proudly I came from New York to Phoenix In the southern mountains, enjoying the blue sky Bathing in sunlight, atop the peak Imagining the beauty coming to meDoes she know I’ve seen her long ago Will she become the white clouds that radiate and mirror her But the parachute was plunging downward Blown away by the wind, forgotten by people This beauty, in the end Did not come to my side Last week, while hiking, I accidentally Revealed to Da Qin That I am very familiar with this great beauty A predictable heavy rainpoured relentlessly Those warm sunshine and scenes As if returning to a retro past In the end, Da Qin and I shook hands and made peace Witnessing the wild mountains of Arizona Untouched by artificial pretension I told him, I will not imitate I will not cross the bottom line I have acrophobia, I must keep my feet on the ground (Originally published in the USA "New World") 6堆满雪的日子 我爬行着让你吃惊不言担忧的面孔在堆满雪的日子里冻裂我挖掘进去在城府很深的地洞里擦伤我的双臂 多愁善感不动声色的你使我受到强烈的一击咒语密集疾风把我的血管吹落在地布满了已经很滑的台阶和门槛 我现在才知道结局完全出我的意料之外当许多条路被大雪覆盖的时候我们只好绕路而走这突如其来暗藏玄机的夜晚使我们都很寒冷 请不要对我充满敌意大雪玉碎宫倾的舞姿正在虚张声势废黜的美妇人在浴血中和我相遇我离她而去 那是我的错我把匕首交给了你耗尽精液的人们欲望再起高高在上忘记上帝而你呢，你在现代种族里留下儿女我没法无动于衷在大雪里阻止你拔刀而起 (原载台湾《现代诗》） The snowing days I crawledYour surprised and silently worried facewas frozen and cracked in the snowy daysI dug inIn the deep caveScratched my arms You, sentimental and expressionlessGive me a strong blowThe spells are denseThe wind blew my blood vessels to the groundCovered the already slippery steps and thresholds I know nowThe ending is completely beyond my expectationsWhen many roads are covered with heavy snowWe have to take a detourThis sudden and mysterious nightMakes us all cold Please don't be hostile to meThe dance of the snow is shattering and the palace is fallingI am bluffingThe deposed beautiful woman met me in the bloodI left her It was my faultI handed the dagger to youPeople who have exhausted their semen are desiring againHigh and mighty, they forgot GodAnd you, you left children in the modern raceI can't remain indifferentStop you from drawing your sword in the snow (Originally published in Taiwan's Modern Poetry) 7夏天，我在纽约 每年夏天，我在纽约情不自禁，笔直的路，蜿蜒水道闷热在四肢离岸之后经过水滚烫消失这让我想起爱想起曼哈顿新盖的高楼与阳光的纠结我频频约会，你是其中一个单纯而干净的果实而你未能治愈我梦中叫喊的病症你注定要与别人来往，收割大片庄稼你一再提到永恒和上天堂只有这样才符合你曲折的一生 哦，夏天，纽约有太多要做的事 时间，在地铁里燃烧黑暗里有不灭的光照亮肤色，照亮语言和性别你耳闻目睹第五大道上的人在霓虹灯下闪烁我和你同时朝着一个相反方向徒步，等待秋季花落结果不期待文字成为作品宛如茶蕴含香味，袅袅进入自己口中 在纽约，我做匿名的网红，无法丈量地红 （原载于《纽约一行》 In summer, I am in New York Every summer, I am in New YorkI can't help myself, straight roads, winding waterwaysThe sultry heat passes through the water after the limbs leave the shoreThe scalding disappearsThis reminds me of loveRemember the entanglement between the newly built skyscrapers in Manhattan and the sunI date frequently, and you are one of themSimple and clean fruitAnd you failed to cure the disease that screams in my dreamsYou are destined to interact with others and harvest large cropsYou repeatedly mention eternity and heavenOnly this is in line with your tortuous life Oh, summer, New York has too many things to do Time, burning in the subwayThere is an eternal light in the darknessIlluminate the skin color, the language and genderYou hear and see the people on Fifth AvenueFlashing under the neon lightsYou and I are heading in the opposite direction at the same timeWalking, waiting for the flowers to fall and bear fruit in autumnDon't expect words to become worksJust like tea contains fragrance, curling into your mouth In New York, I am an anonymous Internet celebrity, unmeasurably popular (Originally published in New York's First Line) 8死，不是一次完成的 死，不是一次完成的它一點一點地發生那些陰暗的記憶用最容易的方法告訴人們死站在門外走廊里坐在陽光處我們看見或看不見 時間流逝得很神奇誰也沒和時間慎重地說再見無中生有，有中生無，天衣無縫什麼能阻止它與人間的最初相見輕輕地揮別 一定有過機會我們本可以提供憑證 藍天白雲里，有些聲音我們不懂，但早已聽見生命里固有的召喚如此永久不驚不懈，如風如霧揭開另一種持守 （原载《香港文学》） Death Is Not A One-time Event Death is not a one-time eventIt happens bit by bitThose dark memoriestell people in the easiest wayIt’s in the hallway outside the doorSitting in the sunlightWe see it or do not see it Time passes strangelyNo one says goodbye to time carefullyOut of nothing, into something, seamlessWhat can stop death arrival?The initial meeting with the worldSo gently There must have been a chanceWe could have provided a proofOr chosen to lie downIn the blue sky or white clouds, there are some soundsWe don’t understand, but we have been hearing them many yearsThe inherent call of life is so eternalUnperturbed, like the wind and mistUncovering another kind of perseverance (Originally published in Hang Kong Literature) 9 面对着街上互相照耀的影子 我站在街头听到你在风中触摸气息我眼睛疼痛流下泪水路上的行人观看我我毫不在意想着你，会让死亡完整起来远方的房屋是偶像纠缠住了我的直觉和想象“到我们出生的地方去吧”你对我这样说 大风使我呕吐街窗紧紧地关闭我的忧郁从来没有间断过欲望充盈脚掌纹路唤醒一生的故事人群攒动我视而不见黑暗更加黑暗于是我埋葬了我的眼睛 美丽的街市阻碍了人们飘飘然的静坐这个世界到底发生了什么事上帝很清楚面对着街上互相照耀的影子我不考虑出路步行本身是一种十分短暂的记忆我进入另一条人声鼎沸的街头月光出没 （原载《今天》） Facing the shadows shining on each other on the street I stand on the streetI hear you touching your breath in the windMy eyes ache and tears flowThe pedestrians on the road look at meI don't careThinking of you will make death completeThe house in the distance is an idolIt entangles my intuition and imagination"Go to the place where we were born"You said this to me The strong wind makes me vomitThe street windows are tightly closedMy melancholy has never stoppedDesire is fullThe lines on the soles of my feet awaken the story of a lifetimeThe crowd is movingI turn a blind eyeThe darkness is even darkerSo I buried my eyes The beautiful street marketHinders people's floating meditationWhat happened in this world? God knows very wellFacing the shadows shining on each other on the streetI don't consider the way outWalking itself is a very short memoryI enter another bustling streetThe moonlight appears (Originally published in Today) 10坐东朝西 漂泊千载，幽魂复归于子民可触摸的形态，美丽招摇上市栋栋鬼影徐徐莅临结成一片片废墟，波光粼粼 我的手藏在风里血流了一个世纪又一个世纪白骨咯咯地作响复活之后不是男人也不是女人 新年的钟声仍在啜饮我梦见了我们都成了折回的鱼群在云雾合唱中进入水底 我悲痛地满含泪水在雨的裸体里划破自己的海床在一个个黄昏里吟唱在欲望的潜逃里重新凋零 荣耀出土如蝉，瞬息生灭在漫天扬起的飞鸟里脱胎换骨丛生腹地窃窃私语筑造一段段迷人的景致 人最本质的元素浩荡地穿过我的大脑人们对酒当歌，生命无轻盈高高在上的旗号，坐东朝西 （原载台湾《创世纪》） Sitting The East and Facing The West After wandering for thousands of years, the ghosts return to the peopleTouchable form, beautiful and ostentatiousGhosts are coming slowlyForming pieces of ruins, sparkling My hands are hidden in the windBlood has flowed for centuriesBones are rattlingNeither men nor women after resurrection The New Year's bell is still sippingI dreamed that we all became a school of fish turning backIn the chorus of clouds and mistEntering the bottom of the water I am filled with tears of sorrowSlicing my own seabed in the nakedness of the rainSinging in the dusksWithering again in the escape of desire Glory is unearthed like a cicada, born and died in an instantReborn in the flying birds in the skyWhispering in the hinterlandBuilding charming scenes The most essential element of manPassing through my brain in a mighty wayPeople are singing to wine, life is not lightThe high banner, sitting the east and facing the west (Originally published in Taiwan's Genesis) 11自慰【获台湾首届新诗双子星最佳奖】 黄白的手指触及着发出单调的声响我不敢相信你就是平常的那位朋友你的寂寞和欲望有血有肉 你熟悉自己的过程是本能的行为美丽不能是一剂浪费的药你在镜子里注视自己的裸体 我理解你需要隐私因此我从不开口问你我坚信自己的坦诚不是为了换取你的故事 所有的可以很复杂亦可以很简单 大火已经燃起可是屋宇冰凉满地你说，你爱你温柔偶尔远行只是此刻你一个人需要疯狂一阵 这是丰收的季节即使这样许多事仍然说不清干嘛非要答案呢快乐本身就很好很单纯 我拍下你自慰的照片加上篮色的过滤，挂上大厅大家都说你的确很美是一种理想一种财富一　种　真　实 （原载台湾《双子星》诗刊） Enjoy Yourself[Won the first Gemini Award for New Poetry in Taiwan] The yellow and white fingers touchedMaking a monotonous soundI can hardly believeYou are the usual friendYour loneliness and desireflesh and blood You know your own processAn instinctive behaviorBeauty cannot be a wasted medicineYou gaze in the mirrorAt your own nakedness I understand that you need for privacyThus I never ask youI firmly believe in my honestyNot in exchange for your stories Everything can be complicatedOr it can be simple The fire has been already startedYet the house is cold and the floor is icyYou said that you love, you gentle and occasional travelsOnly now you are aloneNeeding a moment of madness This is the season of harvestEven soMany things remain unclearWhy insist on an answerHappiness itself is excellent and pure I took a photo of your self-contemplatingAdded a blue filter, hang it in the hallEveryone says you are really beautifulIt is an ideal, a wealth, a kind of truth (Originally published in Taiwan's Gemini Poetry Magazine 正直的意象【《自慰》获奖评语】王聪威 自慰像是公共厕所前的脚踏垫一样，默默地忍受着各种不平等待遇。干净的时候，人们踩它，脏的时候，也踩它。直到最后，偶然注意到的聪明人会说：“嗯，这脚踏垫好脏噢。”然后，直到最后却又继续地踩它。 明明前一天早上在图书馆里拼命地做了好几次，但是在今天遇见朋友的话，绝不会开口跟他说：“说真的，昨天真的太过瘾，一口气喷了四次，连那里都发痛了，你一定得试一试。” 自慰也常常被用在现代诗里。但是不知道为什么，它的用法里总是弥漫着“有一个孤单的无聊女人”或男人在昏黄的路灯下抽烟的气氛。而且多少都会带点教训或抗议的意味。总是这样。自慰真是倒霉啊。所幸“自慰”这首诗完全没有这些问题。 以直接明朗的动作描写为开头，并说明所谓的“寂寞和欲望”其实是有血有肉的，很快的给人一种对于自慰的安心感。这种安心感在第三和第四段的地方，作者以自己对诗中主角行为的尊重和理解使得此安心感获得更大的保障。第五段可以视为一个小结，诗中主角对作者的坦诚情谊做出了回答：没问题的，我喜欢“温柔偶尔远行”，但此刻想要“疯狂一阵”。 如果说在前面的段落中作者多少还期盼点什么解释的，最后两段则完全地开朗了。从承认自慰带有肉欲感觉的丰收季节的单纯快乐，到此行为足以被拍成照片挂在大厅，并显示一种“理想\财富\真实”的古典美学范畴的美感概念，自慰已经获得了全新的诠释。 或许有点过度联想，但我不禁想到，那张照片会不会是遗照呢？如果是的话，那么诗真的是对朋友最慎重而深刻的纪念了。“自慰”现在应该可以高兴起来了。 至于可能是描写受难者心境的“妈妈，我在水里独居”和悲伤情诗“我会死去”虽然缺乏在“自慰”中所透露出来的崭新理想，但能让人感受到一种无可质疑的真挚力量正在蕴籍着。如果以变魔术来做例子的话，这两首诗给人一种“从帽子里拉出来的一定是兔子，除此之外完全无法想象”这样的正直感。在这一点上，几乎没有其它的参赛作品能和它们相抗衡。 (原载台湾诗刊《双子星》第５期，1997年6月) Award-winning comments for "Enjoy Yourself” Wang Congwei Masturbation is like a foot mat in front of a public toilet, silently enduring all kinds of unequal treatment. When it is clean, people step on it, and when it is dirty, they also step on it. Until the end, the smart people who noticed it by chance would say: "Well, this foot mat is so dirty." Then, until the end, they would continue to step on it. Even though I did it desperately several times in the library the previous morning, if I met a friend today, I would never say to him: "To be honest, it was really fun yesterday. I ejected four times in one breath. Even there is pain. You must try it." Masturbation is also often used in modern poetry. But for some reason, its usage is always filled with the atmosphere of "there is a lonely bored woman" or a man smoking under the dim street lights. And it always has a sense of teaching or protest. It's always like this. Masturbation is really unlucky. Fortunately, the poem "Enjoy Yourself" has no such problems. It starts with a direct and clear description of the action, and explains that the so-called "loneliness and desire" is actually flesh and blood, which quickly gives people a sense of security about masturbation. This sense of security is in the third and fourth paragraphs. The author makes this sense of security more secure with his respect and understanding of the protagonist's behavior in the poem. The fifth paragraph can be regarded as a summary, in which the protagonist of the poem responded to the author's frank friendship: It's okay, I like "gentleness occasionally travels far", but at this moment I want to "go crazy for a while". If the author still expected some explanation in the previous paragraphs, the last two paragraphs are completely cheerful. From admitting that masturbation has the simple joy of the harvest season with carnal feelings, to this behavior being enough to be photographed and hung in the hall, and showing a kind of aesthetic concept of the classical aesthetic category of "ideal\wealth\reality", masturbation has been given a new interpretation. Maybe it's a bit of an over-association, but I can't help but think, could that photo be a posthumous photo? If so, then the poem is really the most careful and profound commemoration of a friend. "Masturbation" should be happy now. 　　 12其余的日子 不是你的伤悲如果我成了黄鹤直到那样的仪式是那样的。在大海上你随意抛撒。短暂的纪念现在难以预计。我不想用潇洒或放弃来描述未来光景我尚在面对其余的日子往后犹如仙境一般只要提起我的名字风就会来雪一定很过瘾 是啊，其余的日子看你怎么想今天没有雨，我试图对它做一次全新的解释有些地方我还会再去，布置一新呆在那里，我会好好珍惜自己过一种至纯至净的颓废生活独立自主你呢，可以来看我我们一起去旅行在路上完成我们的成长即使我累了，你可沿着我立下的标志一个人去走走逛逛坐在角落，喝上你喜欢的果汁 我想，那样就很美更大更广阔的海里，一切波浪都汹涌澎湃。我不会盲目地相信一如既往的坚持这样的感觉总是这样。我不能主宰命运去达到和你的一致空间，不必强制跨越千山万水就像昨天，我给你留言你没有回音，这就是最好的存在对或错，都不是人的最终风景大脑是非常奇怪的器官就算我给它们装好了智能控制系统你我依然自行 这是其余的日子这是美好而倒着活的日子 (原载台湾《两岸诗》) The Rest of The Days It is not your sorrowIf I become a yellow craneUntilThat kind of ceremony is like that. On the seaYou scatter capriciously. Short-term commemorationIt is hard to predict now. I don't want to use unrestrained or giving up to describe the future sceneI am still facing the rest of the daysThe future will be like a fairylandAs long as my name is mentionedThe wind will comeThe snow must be very enjoyable Yes, the rest of the daysIt depends on what you thinkThere is no rain today, I try to give ita new interpretationSome places I will go again and decorate them anewStay there, I will cherish myselfLive a pure and decadent lifeIndependentlyYou can come to see meLet's travel togetherComplete our growth on the roadEven if I am tired, you can walk around alone along the signs I setSit in the corner and drink your favorite juice I think it would be beautiful that wayIn the bigger and wider sea, all wavesare surging. I will not blindly believeI will stick to it as alwaysIt feels like thisIt is always like this. I cannot dominate the fateTo reach the same as yourSpace. There is no need to force across thousands of mountains and riversJust like yesterday, I left you a messageYou didn't reply, this is the best existenceRight or wrong, it is not the final scenery of human beingsThe brains are very strange organsEven if I install an intelligent control system for themYou and I still do it on our own This is the rest of the daysThis is a beautiful and backwards life (Originally published by Cross-Strait Poetry in Taiwan) 往期回顾 Review of Past Issues <a href="https://www.meipian.cn/554tzb4u?first_share_uid=7425812&first_share_to=copy_link&share_depth=1" target="_blank" style="font-size:15px;"> 《海外詩人》第九期严力</a><a href="https://www.meipian14.cn/4xi55hgx?share_depth=1&first_share_uid=7425812&first_share_to=copy_link" target="_blank" style="font-size:15px;">《海外詩人》第八期楊煉</a><a href="https://www.meipian.cn/554tzb4u?first_share_uid=7425812&first_share_to=copy_link&share_depth=1" target="_blank" style="font-size:15px;"> 《海外詩人》第七期浪激天涯</a><a href="https://www.meipian.cn/2dai7fg5?first_share_to=copy_link&first_share_uid=7425812&share_depth=1" target="_blank" style="font-size:15px;"> 《海外詩人》第六期杜杜</a><a href="https://www.meipian.cn/2buubsv5?first_share_uid=7425812&share_depth=1&first_share_to=copy_link" target="_blank" style="font-size:15px;">《海外詩人》第五期谢炯</a><a href="https://www.meipian.cn/29xb3avh?share_depth=1&first_share_to=copy_link&first_share_uid=7425812" target="_blank" style="color:rgb(40, 135, 240); font-size:15px;">《海外詩人》第四期杨景荣</a><a href="https://www.meipian.cn/29ps2emf?share_depth=1&first_share_uid=7425812&first_share_to=copy_link" target="_blank" style="font-size:15px;">《海外詩人》第三期古土</a><a href="https://www.meipian.cn/29pm03ym?first_share_uid=7425812&share_depth=1&first_share_to=copy_link" target="_blank" style="font-size:15px;">《海外詩人》第二期天端</a><a href="https://www.meipian.cn/290zivsi?first_share_uid=7425812&share_depth=1&first_share_to=copy_link" target="_blank" style="font-size:15px;">《海外詩人》第一期虚白居士</a> <a href="https://www.meipian14.cn/54vy8968?first_share_to=copy_link&first_share_uid=7425812&share_depth=1" target="_blank" style="font-size:15px;">当代海外优秀现代诗歌精选（1） </a> <a href="https://www.meipian.cn/4uhocyrf?share_depth=2&s_uid=7425812&share_to=timeline&first_share_to=group_singlemessage&first_share_uid=7425812#1696539424473" target="_blank" style="font-size:15px;">中英双语音诗画杨景荣《湖㫠新娘》一一写给女儿的婚礼 </a> <a href="https://www.meipian.cn/4cn3svf9?first_share_to=copy_link&first_share_uid=7425812&share_depth=1" target="_blank" style="font-size:15px;">《飛鳥》｜當代全球詩人在線詩集第十五期</a> 【遠方的詩】全球詩人在線詩刋 主編: 楊景榮榮譽主編: 天端 榮譽顧問:杨炼嚴力 徐敬亚欧阳江河非馬 虛白居士 野夫贺中古土雷格柳芭叶虻郭力家汪剑钊 戴皓天刁永泉曉鳴孟衝之西鷹姚雨 曹天 (排名順序不分先後) 書法顧問：楊秉森馮郁章 [Poems from Afar] Online Poems from Global Chinese Poets Editor-in-Chief: Jingrong YangHonorary Editor: Tianduan Honorary Advisor Lian Yang, Li Yan, Jingya Xu, Jianghe Ouyang , Feima , Jushi Xubai, Ye Fu, Zhong Ho, Gu Tu, Ge Lei , Liu Ba, Ye Ming, Lijia Guo , Jianzhao Wang , Haotian Dai , Yongquan Diao , Xiao Ming, Chongzhi Mong, Xi-Ying, YaoYu Zhou, Tian Cao (Ranked in no particular order) Calligraphy consultantYuzhang Feng, Bingsen Yang 主编简介：杨景荣，博雅书院作家群成员，云南蒙自人。一九八二年云南大学生物系毕业后就职中国科学院南京地质古生物研究所。加拿大滑铁卢大学湖泊生态学博士。诗作散见海内外各网刋平台及纸媒报刋，诗作《琥珀》获2019诗歌春晚作品优秀奖。诗作《黄河》在全民K歌网被上万人朗诵。中国大型资讯平台冯站长之家《每日一诗》特约荐稿人，加拿大《远方的诗》全球诗人在线诗刋主编。 Editor-in-Chief: Yang Jingrong, a member of the Writers Group of Boya Academy, is from Mengzi, Yunnan. PhD in Lake Ecology from the University of Waterloo, Canada. The poems have been published on various online platforms and print media at home and abroad. The poem "Amber" won the 2019 Poetry Spring Festival Gala Works Excellence Award. The poem "Yellow River" was recited by tens of thousands of people on the National Karaoke Network. The editor-in-chief of "Poems from Distant Places" Global Poets Online Poetry.

全球華語詩人在線詩刋《海外詩人》第十期 魯鳴《Overseas Chinese P…

遠方的詩

全球華語詩人在線詩刋《海外詩人》第十期魯鳴《Overseas Chinese P…