<p class="ql-block">清 任熊 范湖草堂图卷</p><p class="ql-block">任熊（1823-1857），字渭长，号湘浦，萧山（今浙江杭州）人。自幼习画，寓居苏州、上海鬻画为生。为上海画派“海上四任”“沪上三熊”之一。图绘晚清著名词人、画家周闲的别业，近三年绘成，构图饱满，笔墨细密，色彩热烈，既写实又富于装饰趣味。</p><p class="ql-block">Fanhu's Cottage</p><p class="ql-block">Ren Xiong (1823-1857)</p><p class="ql-block">Handscroll</p><p class="ql-block">Qing （1644-1911）</p><p class="ql-block">Ren Xiong (1823-1857), with zi (designated name) Weichang and hao (literary name) Xiangpu, was a native of Xiaoshan (nowadays Hangzhou, Zhejiang province). He began studying painting at a young age and later lived in Suzhou and Shanghai, making a living by selling his art. Ren was one of the "Four Rens of Shanghai" and one of the "Three Xiongs of Shanghai" in the Shanghai School of painting. This painting depicts the estate of the renowned late Qing poet and painter Zhou Xian. It took nearly three years to complete, featuring a composition that is both rich and intricate. The brushwork is meticulous, with vibrant colors, blending realism with a decorative flair.</p> <p class="ql-block">清 任熊 范湖草堂图卷</p><p class="ql-block">任熊（1823-1857），字渭长，号湘浦，萧山（今浙江杭州）人。自幼习画，寓居苏州、上海鬻画为生。为上海画派“海上四任”“沪上三熊”之一。图绘晚清著名词人、画家周闲的别业，近三年绘成，构图饱满，笔墨细密，色彩热烈，既写实又富于装饰趣味。</p><p class="ql-block">Fanhu's Cottage</p><p class="ql-block">Ren Xiong (1823-1857)</p><p class="ql-block">Handscroll</p><p class="ql-block">Qing （1644-1911）</p><p class="ql-block">Ren Xiong (1823-1857), with zi (designated name) Weichang and hao (literary name) Xiangpu, was a native of Xiaoshan (nowadays Hangzhou, Zhejiang province). He began studying painting at a young age and later lived in Suzhou and Shanghai, making a living by selling his art. Ren was one of the "Four Rens of Shanghai" and one of the "Three Xiongs of Shanghai" in the Shanghai School of painting. This painting depicts the estate of the renowned late Qing poet and painter Zhou Xian. It took nearly three years to complete, featuring a composition that is both rich and intricate. The brushwork is meticulous, with vibrant colors, blending realism with a decorative flair.</p> <p class="ql-block">清 任熊 范湖草堂图卷</p><p class="ql-block">任熊（1823-1857），字渭长，号湘浦，萧山（今浙江杭州）人。自幼习画，寓居苏州、上海鬻画为生。为上海画派“海上四任”“沪上三熊”之一。图绘晚清著名词人、画家周闲的别业，近三年绘成，构图饱满，笔墨细密，色彩热烈，既写实又富于装饰趣味。</p><p class="ql-block">Fanhu's Cottage</p><p class="ql-block">Ren Xiong (1823-1857)</p><p class="ql-block">Handscroll</p><p class="ql-block">Qing （1644-1911）</p><p class="ql-block">Ren Xiong (1823-1857), with zi (designated name) Weichang and hao (literary name) Xiangpu, was a native of Xiaoshan (nowadays Hangzhou, Zhejiang province). He began studying painting at a young age and later lived in Suzhou and Shanghai, making a living by selling his art. Ren was one of the "Four Rens of Shanghai" and one of the "Three Xiongs of Shanghai" in the Shanghai School of painting. This painting depicts the estate of the renowned late Qing poet and painter Zhou Xian. It took nearly three years to complete, featuring a composition that is both rich and intricate. The brushwork is meticulous, with vibrant colors, blending realism with a decorative flair.</p> <p class="ql-block">明 文从简 临宋人人马图卷</p><p class="ql-block">文从简（1574-1648），字彦可，号枕烟老人，长洲（今江苏苏州）人。文徵明曾孙，文嘉之孙。善山水、花鸟、人马，能传家法，风格简淡。卷后另纸行书录颜延之《豬白马赋》。图经金望乔、吴湖帆、钱镜塘三位沪上鉴藏家收藏。</p><p class="ql-block">Copy of a Song Dynasty Painting with Figures and Horses</p><p class="ql-block">Wen Congjian (1574-1648)</p><p class="ql-block">Handscroll</p><p class="ql-block">Ming (1368-1644)</p><p class="ql-block">Wen Congjian (1574-1648), also known by his zi (designated name) Yanke and hao (literary name) Zhenyan Laoren, was a native of Changzhou (present-day Suzhou, Jiangsu province). He was the great-grandson of Wen Zhengming and the grandson of Wen Jia. He was skilled in painting landscapes, flowers, birds, figures, and horses, inheriting the artistic tradition of his family, with a simple and elegant style. At the end of this scroll, an additional sheet in running script features the text of Yan Yanzhi's Zhe-Bai Ma Fu (Prose on a Red and White Horse). The painting was later part of the collections of three prominent Shanghai connoisseurs: Jin Wangqiao, Wu Hufan, and</p> <p class="ql-block">明 文从简 临宋人人马图卷</p><p class="ql-block">文从简（1574-1648），字彦可，号枕烟老人，长洲（今江苏苏州）人。文徵明曾孙，文嘉之孙。善山水、花鸟、人马，能传家法，风格简淡。卷后另纸行书录颜延之《豬白马赋》。图经金望乔、吴湖帆、钱镜塘三位沪上鉴藏家收藏。</p><p class="ql-block">Copy of a Song Dynasty Painting with Figures and Horses</p><p class="ql-block">Wen Congjian (1574-1648)</p><p class="ql-block">Handscroll</p><p class="ql-block">Ming (1368-1644)</p><p class="ql-block">Wen Congjian (1574-1648), also known by his zi (designated name) Yanke and hao (literary name) Zhenyan Laoren, was a native of Changzhou (present-day Suzhou, Jiangsu province). He was the great-grandson of Wen Zhengming and the grandson of Wen Jia. He was skilled in painting landscapes, flowers, birds, figures, and horses, inheriting the artistic tradition of his family, with a simple and elegant style. At the end of this scroll, an additional sheet in running script features the text of Yan Yanzhi's Zhe-Bai Ma Fu (Prose on a Red and White Horse). The painting was later part of the collections of three prominent Shanghai connoisseurs: Jin Wangqiao, Wu Hufan, and</p> <p class="ql-block">明 文从简 临宋人人马图卷</p><p class="ql-block">文从简（1574-1648），字彦可，号枕烟老人，长洲（今江苏苏州）人。文徵明曾孙，文嘉之孙。善山水、花鸟、人马，能传家法，风格简淡。卷后另纸行书录颜延之《豬白马赋》。图经金望乔、吴湖帆、钱镜塘三位沪上鉴藏家收藏。</p><p class="ql-block">Copy of a Song Dynasty Painting with Figures and Horses</p><p class="ql-block">Wen Congjian (1574-1648)</p><p class="ql-block">Handscroll</p><p class="ql-block">Ming (1368-1644)</p><p class="ql-block">Wen Congjian (1574-1648), also known by his zi (designated name) Yanke and hao (literary name) Zhenyan Laoren, was a native of Changzhou (present-day Suzhou, Jiangsu province). He was the great-grandson of Wen Zhengming and the grandson of Wen Jia. He was skilled in painting landscapes, flowers, birds, figures, and horses, inheriting the artistic tradition of his family, with a simple and elegant style. At the end of this scroll, an additional sheet in running script features the text of Yan Yanzhi's Zhe-Bai Ma Fu (Prose on a Red and White Horse). The painting was later part of the collections of three prominent Shanghai connoisseurs: Jin Wangqiao, Wu Hufan, and</p> <p class="ql-block">明陆深 行书收藏书画稿本册</p><p class="ql-block">陆深（1477-1544），字子渊，号俨山，上海（今浦东陆家嘴）人。是册残本，记录其于三个月内收蓄法书名画 89件之事。明中叶上海地区的鉴藏活动，主要围绕“顾陆张何”为代表的望族展开，其收藏版图，较元未扩展至黄浦江两岸。</p><p class="ql-block">Acquisition of Paintings and Calligraphy</p><p class="ql-block">Lu Shen (1477-1544)</p><p class="ql-block">Running script</p><p class="ql-block">Ming (1368-1644)</p><p class="ql-block">Lu Shen (1477-1544), also known by his zi (designated name) Ziyuan and hao (literary name) Yanshan, was a native of Shanghai (now Lujazui, Pudong). This surviving album records his acquisition of 89 pieces of notable calligraphy and paintings within a span of three months. In mid-Ming Shanghai, art collection netivities were primarily centered around prominent families, represented by the "Gu, Lu, Zhang, and He" families. By this period, the areas for collection activities in Shanghai went beyond the late Yuan boundaries to encompass both sides of the Huangpu River.</p> <p class="ql-block">南宋 张孝祥 行书泾川帖页</p><p class="ql-block">张李祥（1132-1169），宇安国，马于沏，乌江（今安徽和县）人。状元及第，普诗文、书法，尤工词，为豪放派词人。本札系华亭何良俊旧珍。何氏富藏书画，其以“行家画、利家画”为线素的画史观，于晚明“南北宗”画论形成之际，可谢具先声夺人之功。</p><p class="ql-block">A Lotter Asking About a Friend's New Settlement by Jing River</p><p class="ql-block">Zhang Xiaoxiang (1132-1169)</p><p class="ql-block">Running script</p><p class="ql-block">Southern Song (1127-1279)</p><p class="ql-block">Thang Xinoxinng (1 132-1169), also known by his / (designted namo)</p><p class="ql-block">Anguo and his hao (literary name) Yuhu, was a ontive of Wujinng (present-day Ile county in Anhui province). A zhuangyuan (the lop scorer in the imperial examination), ho excelled in poetry, prose, and calligraphy, particularly known for his ci (poems following certain forms). Ho is regarded as a poet of the Haofang (bold and brond) School.</p><p class="ql-block">This piece was once part of the collection of Ho Linngjun from Hunting.</p><p class="ql-block">He Liangjun was renowned for his vast collection of calligraphy and paintings und doveloped an art historical perspective based on the notions of "professional paintings" and "unnteur paintings" ns the important painting theory of the "Southem und Norther Schools" wan taking for in the Into Ming, He Liungjun's theory unticiputed key developments in Chineso art theory.</p> <p class="ql-block">南宋 张孝祥 行书泾川帖页</p><p class="ql-block">张李祥（1132-1169），宇安国，马于沏，乌江（今安徽和县）人。状元及第，普诗文、书法，尤工词，为豪放派词人。本札系华亭何良俊旧珍。何氏富藏书画，其以“行家画、利家画”为线素的画史观，于晚明“南北宗”画论形成之际，可谢具先声夺人之功。</p><p class="ql-block">A Lotter Asking About a Friend's New Settlement by Jing River</p><p class="ql-block">Zhang Xiaoxiang (1132-1169)</p><p class="ql-block">Running script</p><p class="ql-block">Southern Song (1127-1279)</p><p class="ql-block">Thang Xinoxinng (1 132-1169), also known by his / (designted namo)</p><p class="ql-block">Anguo and his hao (literary name) Yuhu, was a ontive of Wujinng (present-day Ile county in Anhui province). A zhuangyuan (the lop scorer in the imperial examination), ho excelled in poetry, prose, and calligraphy, particularly known for his ci (poems following certain forms). Ho is regarded as a poet of the Haofang (bold and brond) School.</p><p class="ql-block">This piece was once part of the collection of Ho Linngjun from Hunting.</p><p class="ql-block">He Liangjun was renowned for his vast collection of calligraphy and paintings und doveloped an art historical perspective based on the notions of "professional paintings" and "unnteur paintings" ns the important painting theory of the "Southem und Norther Schools" wan taking for in the Into Ming, He Liungjun's theory unticiputed key developments in Chineso art theory.</p> <p class="ql-block">元赵孟頫 行书止斋记卷</p><p class="ql-block">赵孟頫（1254-1322），字子昂，号松雪道人，吴兴（今浙江湖州）人。是卷大字行楷，刚健流逸，为其晚年书风转变之初的典型。卷为止斋主人书，撰文者段从周。清初经金山（今属上海）人王鸿绪（1645 1723）收藏，后归上海徐紫珊。</p><p class="ql-block">Zhizhai Ji (For the Zhizhai Study)</p><p class="ql-block">Zhao Mengfu (1254-1322)</p><p class="ql-block">Running script</p><p class="ql-block">Yuan (1271-1368)</p><p class="ql-block">Zhao Mengfu (1254-1322), also known by his zi (designated name) Zi ang and his hao (literary name) Songxue Daoren, was a native of Wuxing (present-day Huzhou, Zhejiang province). This scroll, written in large running script, demonstrates a robust and fluid style, representing a typical example of the early transformation in Zhao's calligraphy during his later years. The scroll was written for the Master of Zhizhai Studio, with the text authored by Duan Congzhou.</p><p class="ql-block"><br></p> <p class="ql-block">元赵孟頫 行书止斋记卷</p><p class="ql-block">赵孟頫（1254-1322），字子昂，号松雪道人，吴兴（今浙江湖州）人。是卷大字行楷，刚健流逸，为其晚年书风转变之初的典型。卷为止斋主人书，撰文者段从周。清初经金山（今属上海）人王鸿绪（1645 1723）收藏，后归上海徐紫珊。</p><p class="ql-block">Zhizhai Ji (For the Zhizhai Study)</p><p class="ql-block">Zhao Mengfu (1254-1322)</p><p class="ql-block">Running script</p><p class="ql-block">Yuan (1271-1368)</p><p class="ql-block">Zhao Mengfu (1254-1322), also known by his zi (designated name) Zi ang and his hao (literary name) Songxue Daoren, was a native of Wuxing (present-day Huzhou, Zhejiang province). This scroll, written in large running script, demonstrates a robust and fluid style, representing a typical example of the early transformation in Zhao's calligraphy during his later years. The scroll was written for the Master of Zhizhai Studio, with the text authored by Duan Congzhou.</p><p class="ql-block">In the early Qing dynasty, it was part of the collection of Wang Hongxu (1645-1723), a native of Jinshan (now part of Shanghai). It later came into the collection of Xu Zishan of Shanghai.</p> <p class="ql-block">元赵孟頫 行书止斋记卷</p><p class="ql-block">赵孟頫（1254-1322），字子昂，号松雪道人，吴兴（今浙江湖州）人。是卷大字行楷，刚健流逸，为其晚年书风转变之初的典型。卷为止斋主人书，撰文者段从周。清初经金山（今属上海）人王鸿绪（1645 1723）收藏，后归上海徐紫珊。</p><p class="ql-block">Zhizhai Ji (For the Zhizhai Study)</p><p class="ql-block">Zhao Mengfu (1254-1322)</p><p class="ql-block">Running script</p><p class="ql-block">Yuan (1271-1368)</p><p class="ql-block">Zhao Mengfu (1254-1322), also known by his zi (designated name) Zi ang and his hao (literary name) Songxue Daoren, was a native of Wuxing (present-day Huzhou, Zhejiang province). This scroll, written in large running script, demonstrates a robust and fluid style, representing a typical example of the early transformation in Zhao's calligraphy during his later years. The scroll was written for the Master of Zhizhai Studio, with the text authored by Duan Congzhou.</p><p class="ql-block">In the early Qing dynasty, it was part of the collection of Wang Hongxu (1645-1723), a native of Jinshan (now part of Shanghai). It later came into the collection of Xu Zishan of Shanghai.</p> <p class="ql-block">明 潘恩 行书赠冯子潜六十寿诗页</p><p class="ql-block">潘恩（1496-1582），字子仁，号笠江，上海人。嘉靖二年（1523） 进士，累官至左都御史。潘氏时为显望世家。子允端为其筑豫园。冯子潜，即冯薏，松江府人。此诗页为贺冯邃寿辰而作，称颂其诗名远播及结社唱和的风雅生活。</p><p class="ql-block">A Poem in Celebration of the Sixtieth Birthday of Feng Ziqian</p><p class="ql-block">Pan En （1496-1582）</p><p class="ql-block">Album leaf</p><p class="ql-block">Ming (1368-1644)</p><p class="ql-block">Pan En (1496-1582), also known by his zi (designated name) Ziren and his hao (literary name) Lijiang, was native to Shanghai. A jinshi (a successful candidate of imperial civil-examination) in the 2nd year (1523) of the Jiajing reign, he was once a third-ranking official. The Pan family was then a noble family. His son Pan Yunduan built the Yu Garden for him. Feng Ziqian, also known by his name Feng Sui, was native to Songjiang. Pan En wrote this poem for celebrating Feng Sui's birthday, in which he praised Feng's reputation in poem and literary communication with others.</p> <p class="ql-block">明 张弼 草书论南北口音页</p><p class="ql-block">米面（1925-1487），亇政弼，可飯起，奶啊（今上陶畅盟）人。簡原，取注乳組、怀煮，此頭小字今草，死敬行，与琪富见的量息顶畅时异。内妥趣及自的 ，反顾了同代中时南北方酒會的圓雯，对副究上海方百面有价肌</p><p class="ql-block">On the Norther and Southem Dialects</p><p class="ql-block">Zhang Bi (1425-1487)</p><p class="ql-block">CuRsive sanpt</p><p class="ql-block">Albums tan</p><p class="ql-block">Ming (1308-1644)</p> <p class="ql-block">明 徐光房 行书北耕录殘稱</p><p class="ql-block">之论墨薦页</p><p class="ql-block">给比日（1542 1683）， F，可丝眼。上商人。明着名字%。宜至區區國防服之圓期</p><p class="ql-block">行，这同賀请论图器、丝国原呵，反购了両难酒晶逸熙之文遽</p><p class="ql-block">On init, Orsa cl tia Remi Fasming in tie Nors Kzs Goaygos (1562-18339</p><p class="ql-block">Rataing senps</p><p class="ql-block">AZIUIm lONVEs</p><p class="ql-block">Ming (1388-1604)</p> <p class="ql-block">明 朱稚征等 嘉定诸家书画合册朱稚征，号三松，与祖父鹤、父缨并称嘉定（今属上海）竹刻“三朱”。善山水、竹石、驴。图绘云山小景，笔墨淋漓率意，系其画迹孤本。是册尚有“嘉定四先生”之程嘉燧、李流芳、娄坚等诗、书、画迹，反映了此地深厚的人文底蕴。</p><p class="ql-block">Painting and Calligraphy of Jiading Artists</p><p class="ql-block">Zhu Zhizheng et al.</p><p class="ql-block">Album leaves</p><p class="ql-block">Ming (1368-1644)</p><p class="ql-block">Zhu Zhizheng, also known by his hao (literary name) Sansong, was one of the "Three Zhus" of Jiading (nowadays Shanghai) in bamboo carving. The other two are his grandfather Zhu He and his father Zhu Ying. Zhu Zhizheng was skilled in painting landscape, bamboo, rock, and donkey. This painting depicts mountains in clouds with expressive brushstrokes. This is the only remaining painting of him. This album also includes works of the "Four Gentlemen of Jiading", namely Cheng Jiasui, Li Liufang, Lou Jian, which reflects the deeply rooted literary tradition of this region.</p> <p class="ql-block">元李升 淀湖送别图卷</p><p class="ql-block">李升，字子云，号紫贫生，濠梁（今安徽凤阳）人。晚年居淀山湖畔（今上海青浦），筑有草堂。善写墨竹窠石，与柯九思齐名，兼工平远山水。此图是为高士蔡霞外赴任冲真观所作赠别诗画，亦是所见最早描绘青浦淀山湖的名画，可谓上海版“富春山居图”。</p><p class="ql-block">Seeing off a Friend by the Dian Lake</p><p class="ql-block">Li Sheng</p><p class="ql-block">Handscroll</p><p class="ql-block">Yuan (1271-1368)</p><p class="ql-block">Li Sheng, also known by his zi (designated name) Ziyun and his hao (literary name) Ziyunsheng, was native to Haoliang (nowadays Fengyang, Anhui province). In his later years, he lived in a simple house near Dianshan Lake (also called Dian Lake before, located in nowadays Qingpu district, Shanghai). He was adept in painting ink bamboo and rock, as well as landscape. Li enjoyed equal popularity with Ke Jiusi. This is a farewell gift to the Daoist Cai Xia who was going to Chongzhen Temple. It is the earliest painting known today that depicts the view of Dianshan Lake. It can be regarded as the Shanghai version of Dwelling in Fuchum Mountain.</p><p class="ql-block"><br></p> <p class="ql-block">明 文嘉 曲水园图卷</p><p class="ql-block">文嘉（1499-1582），字休承，号文水，长洲（今江苏苏州）人。善书画，文徵明仲子。图为童其昌族伯董宜阳“黄浦之上别业”曲水园（今上海闵行古藤园）所作，反映了苏、松两地人文互动，亦是明初以降上海城市人文向黄浦江两岸迁徙的实证。</p><p class="ql-block">The Garden of the Winding Stream</p><p class="ql-block">Wen Jia (1499-1582)</p><p class="ql-block">Handscroll</p><p class="ql-block">Ming (1368-1644)</p><p class="ql-block">Wen Jia (1499-1582), also known by his zi (designated name) Xiuchen and his hao (literary name) Wenshui, was native to Changzhou (nowadays Suzhou, Jiangsu province). Skilled in painting and calligraphy, he was the second son of Wen Zhengming. The painting depicts the Winding Stream Garden (qu shui yuan) of Dong Yiyang, an uncle of Dong Qichang. The garden was called the Grand Mansion by the Hungpu River," located in the nowadays Guteng Park in Minhang district in Shanghai. The painting reflects the cultural iteraction between Suzhou and Songjiang, as well as the migration of the cultural center to the banks of Huangpu River in Shanghai since the beginning of the Ming dynasty.</p><p class="ql-block"><br></p> <p class="ql-block">元 倪瓒 竹石图轴</p><p class="ql-block">倪瓒（1306-1374），字元镇，号云林，江苏无锡人。至正十三年（1353）举家迁往吴江笠泽，二十六年（1366） 避兵松江</p><p class="ql-block">泖上（今属上海）。在二十八年（1368）还家之际，为友人元晖作此图，系其晚年代表作。图经吴门李应祯收藏，并吴宽跋。</p><p class="ql-block">Bamboo and Rock Ni Zan (1306-1374)</p><p class="ql-block">Hanging scroll</p><p class="ql-block">Yuan (1271-1368)</p><p class="ql-block">Ni Zan (1306-1374), also known by his zi (designated name) Yuanzhen and his hao (literary name) Yunlin, was native to Wuxi in Jiangsu province. His whole family moved to Lize in Wujiang n the 13 year (1353) of the Zhizheng reign, and later moved near the Mao Lake in Songjiang (nowadays in Shanghai) in the 260 year</p><p class="ql-block">(1366) of the Zhizheng reign in order to avoid the war. When he returned home in the 282 year (1368) of the Zhizheng reign, he painted this painting for his friend Yuanhui. This painting is regarded as a masterpiece of his later years. It was collected by Li Yingzhen and inscribed with a colophon by Wu Kuan.</p> <p class="ql-block">明 杜琼 南村别墅图册</p><p class="ql-block">杜琼（1396 1474），字用嘉，号东原，吴县（今江苏苏州）人。元季名士陶宗仪居松江泗泾讲学，隐于南村草堂。其故后数载，杜琼作是图以追念恩师陶氏。册中董其昌首提“吴门画派”之概念，梳理其画史脉络，并指出陶氏系其“岷源”沈同樾、顾榴、顾佛、顾笃璋、顾笃球等捐赠。</p><p class="ql-block">Cottage in the South Village</p><p class="ql-block">Du Qiong（1396-1474）</p><p class="ql-block">Album leaves</p><p class="ql-block">Ming (1368-1644)</p><p class="ql-block">Du Qiong (1396-1474), also known by his zi (designated name) Yongjia and his hao (literary name) Dongyuan, was native to Wu County (nowadays Suzhou, Jiangsu province). At the end of the Yuan dynasty, the renowned scholar Tao Zongyi taught in Sijing in Songjiang and lived in a humble cottage in the South Village. Several years after Tao's death, Du Qing painted this painting in memory of his teacher Tao Zongyi. In the inscription by Dong Qichang on this painting, he coined the term "Wu School Painting" for the first time, contextualize his painting in the art history, and pointed out that Tao was the "origin." Gift of Shen Tongyue, Gu Liu, Gu Fo, Gu Duzhang, Gu Duqiu, et al.</p> <p class="ql-block">明 杜琼 南村别墅图册</p><p class="ql-block">杜琼（1396 1474），字用嘉，号东原，吴县（今江苏苏州）人。元季名士陶宗仪居松江泗泾讲学，隐于南村草堂。其故后数载，杜琼作是图以追念恩师陶氏。册中董其昌首提“吴门画派”之概念，梳理其画史脉络，并指出陶氏系其“岷源”沈同樾、顾榴、顾佛、顾笃璋、顾笃球等捐赠。</p><p class="ql-block">Cottage in the South Village</p><p class="ql-block">Du Qiong（1396-1474）</p><p class="ql-block">Album leaves</p><p class="ql-block">Ming (1368-1644)</p><p class="ql-block">Du Qiong (1396-1474), also known by his zi (designated name) Yongjia and his hao (literary name) Dongyuan, was native to Wu County (nowadays Suzhou, Jiangsu province). At the end of the Yuan dynasty, the renowned scholar Tao Zongyi taught in Sijing in Songjiang and lived in a humble cottage in the South Village. Several years after Tao's death, Du Qing painted this painting in memory of his teacher Tao Zongyi. In the inscription by Dong Qichang on this painting, he coined the term "Wu School Painting" for the first time, contextualize his painting in the art history, and pointed out that Tao was the "origin." Gift of Shen Tongyue, Gu Liu, Gu Fo, Gu Duzhang, Gu Duqiu, et al.</p>