戳记“天垂象派”学说 一禅／新中式艺术风格之构建 Li Gang/Construction of New Chinese Art Style

AAbc原创 / 中国藝術&线上國际

文／尚 柔

中国的文化博大精深、源远流长，最为重要的是中国的文字，中国的象形文字标志着人类文明进步，是智慧结晶的重要体现。中华民族是一个伟大的民族，中华文化也是最具有独特的智慧文化。世界上所有的国家里，只有我们中国的文化是始终没有间断过的传承下来，也只有我们的汉字是世界上唯一的从远古一直演变过来没有间断过的文字。

吉祥文字／一禅画符 （甲骨文•人）

材质／纸本

Li Gang/Construction of New Chinese Style/Shang Rou

China's culture is extensive, profound and has a long history. The most important thing is Chinese characters. Chinese hieroglyphs mark the progress of human civilization and are an important embodiment of the crystallization of wisdom. The Chinese nation is a great nation, and the Chinese culture is also the most unique wisdom culture. Of all the countries in the world, only our Chinese culture has never been interrupted, and only our Chinese characters are the only characters in the world that have evolved from ancient times without interruption.

吉祥文字/一禅画符

作品/锦绣中華

材质／布上丙烯

尺寸／0.50X0.50

在中国画论中就有“书画同源”的理论记载，早在唐代，张彦远在其《历代名画记·叙画之源流》中为我们做出了精辟的理论：“颉有四目，仰观垂象。因俪鸟龟之迹，遂定书字之形，造化不能藏其秘，故天雨粟；灵怪不能遁其形，故鬼夜哭。是时也，书画同体而未分，象制肇始而犹略。无以传其意，故有书；无以见其形，故有画。”这就是最早的“书画同源”之学说，文字就是图象，是象形的。书与画同时发力，同根生，文字的初形与人类感知有很多内在的精神联系。汉字的起源就是原始的图画符号，原始人在生活中用来表达自己的“图画”形式。慢慢的从原始图画符号变成了一种“表意符号”，或者是“形意符号”，象形文字由此互相传播，在初蒙时期象形文字对人类生存起到了重要作用，随着人类的进步象形文字最后达到了完美的固态式样，也就是我们今天看到有画意的象形文字“甲骨文”。

吉祥文字／一禅画符

作品／褚

材质／布上丙烯

尺寸／0.50X0.60

In the theory of Chinese painting, there is a theoretical record of "the same origin of calligraphy and painting", which is because the earliest source of text is image, which is pictographic. Books and paintings work at the same time and are rooted in the same root. The initial form of characters has many internal spiritual connections with human perception. The origin of Chinese characters is the primitive pictorial symbols, the "pictorial" forms used by primitive people to express themselves in life. Gradually, the primitive pictographic symbols have become a kind of "ideographic symbols", or "pictographic symbols", and the hieroglyphics have thus spread to each other. In the early Mongolian period, the hieroglyphics played an important role in human survival. With the progress of human beings, the hieroglyphics finally reached the perfect fixed pattern, that is, we see the pictographic hieroglyphics "Oracle bone inscriptions" today.

吉祥文字／一禅画符

作品／尤

材质／布上丙烯

尺寸/0.50X0.60

中国真正意义上的汉字起源于公元前14世纪的殷商时期的甲骨文。关于汉字的起源，中国古代文献上有种种说法，如“结绳”、“八卦”、“图画”、“书契”等，古书上还普遍记载有黄帝史官仓颉造字的传说。按中国古文字学家的意见，甲骨文是“目前所能看到的最早而又比较完备的文字”。甲骨文从发现至今已多达3000个以上字汇。“甲骨文”被认为是“汉字”的第一种形式，直到今天甲骨文依然是中国人，中国文人，书法家和各类艺术家从事艺术探索研究的重要文献参考依据，“文字”是开启人类智慧的一把金钥匙，进入高维空间，走进光年探寻人与自然，天人合一，人与宇宙，我心九霄，追问人类我们自己从那里来到哪里去一系列的终极追问。

吉祥文字／一禅画符

作品／朱

材质／布上丙烯

尺寸／0.50X0.60

The real meaning of Chinese characters originated from the oracle bone inscriptions of the Shang Dynasty in the 14th century BC. As for the origin of Chinese characters, there are various statements in ancient Chinese literature, such as "knot rope", "eight trigrams", "pictures", "deeds", and so on. The legend of Cangjie, the historian of the Yellow Emperor, who created the characters is also widely recorded in ancient books. According to the opinion of ancient Chinese philologists, oracle bone inscriptions are "the earliest and relatively complete text that can be seen at present". Oracle has more than 3000 words since its discovery. "Oracle bone inscriptions" are considered as the first form of "Chinese characters". Until today, Oracle bone inscriptions are still an important document reference for Chinese people, Chinese literati, calligraphers and various artists to engage in artistic exploration and research. "Characters" are a golden key to open human wisdom. Enter the high-dimensional space, enter the light-year to explore human and nature, the unity of man and nature, man and the universe, and my heart is in the sky, Questioning human beings where we come from is a series of ultimate questions.

吉祥文字／一禅画符

作品／沈

材质／布上丙烯

尺寸／0.50X0.60

当下是一个多元化时代，人类文明进步的发展，已经是来到了一个从未有过的新的时期。在全人类现代化发展进程中，人类文化、科技、经济已经是达到了一个前所未有的辉煌时期。在中国艺术的发展日趋于西方模式化的形态中，仿佛中国的当代艺术在国际舞台上总是被边缘化，其主要原因是中国当代艺术的审美标准基本丢失它本有的认同性，从世界美术史阅读过来有记载的中国艺术作品的图片，可以说是岌岌可危很少的唐、宋、元、明、清古典艺术作品的记载，相对多点的是中国的石窟艺术的介绍，当代艺术可以说是极少，导致这种现象主要原因是文化的差异性和认同感。

吉祥文字/一禅画符

作品/柳

材质／纸本

The present is an era of pluralism. The development of human civilization has entered a new era that has never existed before. In the process of human development, human civilization has reached an unprecedented glorious period. In the form of the development of Chinese art tending to the western model, it seems that Chinese contemporary art is always marginalized on the international stage. The main reason is that the aesthetic standard of Chinese contemporary art has basically lost its original identity. The pictures of recorded Chinese art works read from the world art history can be said to be the Tang, Song, Yuan, Ming and Qing dynasties, which are in little danger. Relatively more is the introduction of Chinese grotto art, while contemporary art can be said to be very few. This phenomenon is mainly caused by cultural differences and identity.

吉祥文字/一禅画符

作品/劉

材质／纸本

现代艺术的发展主要是活跃在欧美，近一百多年西方美术的文脉发展纵向看，可以这样说西方艺术史已经建立了一个相应完整的学术体系。

而当下艺术存在的最大价值也就是艺术的差异性和认同感，艺术流派一路发展至今为止，谁也无法预知新的艺术流派的诞生。从最早的现实主义、印象派、野兽派、新艺术、表现主义、立体主义、未来主义、抽象派、达达主义、至上主义、形而上主义、超现实主义、行动画派、极简艺术、波普艺术等等。关于艺术流派的发展，谁都无法控制可能会出现新的艺术形式及艺术流派，这也就是艺术的发展和存在的特殊性，艺术最大的生命力也就是不断创新，也就是人类在精神文化层面上需要建构一种新的情感游戏艺术的认知，也就是艺术精神魔法，这种特别的魔法艺术形态也必然是这个时代的人类精神所需求的精神大餐，艺术的真象就是魔法的术，有位著名批评家说“艺术发展到今天艺术已经没有存在的意义了”。因此在我看来艺术在当下最大的生存意义就是文化属性的时尚文化精神启示，让艺术精神启示艺术精神，赋能大文化，也就是说上天的天道文化，那么也就是“天垂象”之意，让我们从新思考艺术给我们人类生存的真正意义。

吉祥文字／一禅画符

作品／秦

材质／布上丙烯

尺寸／0.50X0.60

The development of modern art is mainly active in Europe and America. From the perspective of the cultural development of western art in the past 100 years, it can be said that the history of western art has established a corresponding and complete academic system.

The greatest value of art at present is the difference of art. Art schools have developed all the way up to now, although it is impossible to know the birth of new art schools. From the earliest realism, impressionism, fauvism, new art, expressionism, cubism, futurism, abstraction, Dadaism, supremacy, metaphysics, surrealism, action painting, minimalism, pop art, etc. With regard to the development of art schools, no one can control the possible emergence of new art forms and art schools, which is the particularity of the development and existence of art. The greatest vitality of art is constant innovation, that is, human beings need to construct a new understanding of emotional game art at the spiritual and cultural level, that is, art spiritual magic, This special form of magic art is also bound to be the spiritual feast required by the human spirit of this era. The true image of art is magic, and theorists say that art has no meaning today. Therefore, in my opinion, the greatest survival significance of art at present is the enlightenment of fashion culture spirit with cultural attributes. Let the artistic spirit enlighten the artistic spirit and endow the great culture, that is to say, the culture of heaven, that is, the meaning of "the hanging image of heaven". Let's rethink the real meaning of art to our human survival.

吉祥文字/一禅画符

作品/任

材质／纸本

“艺术精神”是艺术作品的灵魂，是艺术作品借助于艺术语言与艺术技法表达的主题思想，表现出作者内心的情感或者是艺术语言的一种形态，创作艺术作品中的灵动气息和文化意识，主要是在艺术作品中体现出的艺术精神。艺术精神作为拥有超越品格的灵性存在，他的艺术精神会启示艺术精神。当然，艺术家一旦为艺术精神而为之创作，那么伟大的艺术作品会随即产生艺术灵魂，也就是艺术精神在作品中所存在的真正的核心意义。

吉祥文字／一禅画符

作品／浦

材质／纸本

"Artistic spirit" is the soul of artistic works. It is the theme of artistic works expressed by means of artistic language and artistic techniques. It shows the author's inner feelings or is a form of artistic language. The spiritual breath and cultural awareness in artistic works are mainly the artistic spirit embodied in artistic works. As a spiritual existence with transcending character, artistic spirit will inspire artistic spirit. Of course, once an artist creates for the artistic spirit, then a great work of art will immediately produce the artistic soul, which is the true core meaning of the artistic spirit in the work.

吉祥文字/一禅画符

作品/史

材质／纸本

中国文化意识形态的核心主要是建立在儒、释、道文化学说之上的。儒家是“谦恭有为，德行天下”。道家是“水向低流，山默顶天”。佛家是“气定神闲，福自归来”，这些儒、释、道文化理论一直在潜移默化地造福着我们人类。儒、释、道这三家虽然表达的方式不一样，但内涵是一致的，就是把“德”作为做人的基础。“以人为本”的主导思想，那么“立德、立功、立言”，德是人的根本，中国人历来都提倡做人要积德行善，大道至简，归向大道，上天垂象，圣人则之之道法。

吉祥文字/一禅画符

作品/衛

材质／纸本

The core of Chinese cultural ideology is mainly based on Confucianism, Buddhism and Taoism. Confucianism is "modest and promising, and virtuous". Taoism is "the water flows low, the mountain is silent and the sky is high". Buddhism is "calm and relaxed, and happiness comes back". These Confucian, Buddhist and Taoist cultural theories have been imperceptibly benefiting us. Although Confucianism, Buddhism and Taoism express themselves in different ways, they have the same connotation, that is, they take "virtue" as the basis of life. The leading ideology of "people-oriented" is "virtue, merit and speech". Virtue is the foundation of human beings. Chinese people have always advocated that people should accumulate virtue and do good deeds. The main way is to be simple, to return to the main way, to hang up to the sky, and to be sage.

吉祥文字/一禅画符

作品/彭

材质／纸本

为了进一步探究一禅先生创建的“天垂象派”学说的文化现象，在中国的《易经》中可以详解“天垂象”的文化内涵。“天垂象”指的是上天垂象，上天垂象是指自然展示给人的征象。上天：在古人观念中指万物主宰者，能降祸福于人，即道，指自然规律。垂象：显示各种现象来提醒人。

上天总会预先告诉我们一些征象，让那些拥有极高智慧的人能够通过其杰出的洞悉力发现其中的规律和原理，见微知著，一叶知秋，最终达到趋吉避凶的目的。

出自《易·系辞上》：“天垂象，见吉凶，圣人象之；河出图，洛出书，圣人则之”上天垂象，指自然规律；见吉凶，掌握自然规律吉，违背自然规律凶；圣人象之，凡能发现掌握自然规律并按照自然规律行事之人，称之为圣人。上天垂象基本就是老天显示各种现象来提醒人，对于人来说就是仰视天来看，天把象垂下来的意思，跟易经卦象所说的是一个意思。

吉祥文字／一禅画符

作品／宋

材质／布上丙烯

尺寸／0.50X0.60

老子《道德经》中说：“人法地，地法天，天法道，道法自然”直译过来就是，人的生命活动应该符合自然规律，才能长寿。

我们当下人类应该觉醒，尊崇老子的尊重自然，敬畏生命，顺自然而行的主导思想，与老子的宇宙同一观，人与自然和谐观，以及老子主张的无为，并依此实现人与自然和谐统一，和谐共生。我想我们人类不得不引起生存的从新思考，让艺术作品唤醒我们心灵深处对未知的光明，生命的意义和宇宙空间更多的认知，我想也正是一禅先生的所想在这些艺术作品中最好的体现，给我们带来多维度空间的艺术思考，让我们在这个地球家园找到每个人自己的尊严。

吉祥文字／一禅画符

作品／周

材质／布上丙烯

尺寸／0.50X0.60

Lao Tzu's "Tao Te Ching" said: "Man follows the earth, the earth follows the heaven, the heaven follows the Tao, and the Tao follows the nature." Literally, people's life activities should conform to the natural laws to live a long life.

At present, we human beings should awaken and respect Lao Tzu's guiding ideology of respecting nature, fearing life, and following nature, and Lao Tzu's view of universe identity, harmony between man and nature, and inaction advocated by Lao Tzu, so as to achieve harmonious unity and coexistence between man and nature. I think we human beings have to arouse new thinking about survival, and let art works awaken our hearts to more understanding of the unknown light, the meaning of life and the universe. I think it is Mr. Yichan who wants to bring us multi-dimensional artistic thinking in these art works, and let us find our own dignity in this earth home.

吉祥文字／一禅画符

作品/陳

材质／布上丙烯

尺寸/0.50X0.60

开创禅意新纬度的视觉艺术，多年对中国文字，中国书法艺术深度探索研究，创作大量的有文字字符的艺术作品，对推动中国式的当代艺术起到了重要的推进作用。同时一禅先生在艺术理论上提出了“天垂象派”学说的中式艺术理论体系构架，为建构具有中国式当代艺术抽象理论体系的完善，潜心研究，他还需要付出更多的努力。

吉祥文字／一禅画符

作品／李

材质／布上丙烯

尺寸／0.50X0.60

Create a new dimension of the visual art of Zen, deeply explore and study Chinese characters and Chinese calligraphy art for many years, and create a large number of artistic works with characters, which has played an important role in promoting the contemporary art of Chinese style. At the same time, Mr. Yichan put forward the framework of the Chinese art theory system of the theory of "Heavenly Dropping Elephant School" in the art theory. He still needs to make more efforts in order to construct the perfection of the abstract theoretical system of Chinese contemporary art and devote himself to research.

吉祥文字／一禅画符

作品／文

材质／纸本

在解读一禅先生的绘画艺术作品时，他更重要的是把艺术赋能增加了核动力。不难看出是他五十多年的书法功力成就他具有中国当代艺术价值取向的新纬度字符绘画风格，他在当代性风格的探索上是有系统有学术意义的探索，对于字符绘画艺术风格的形成注释中国当代艺术的发展，他起到了重要的推动作用。

吉祥文字／一禅画符

作品／龍

材质／纸本

When interpreting Mr. Yichan's painting works, it is more important for him to add nuclear power to art empowerment. It is not difficult to see that it is more than 50 years of calligraphy skills that have made him a new latitude character painting style with the value orientation of Chinese contemporary art. His exploration of contemporary style is a systematic and academic exploration. He has played an important role in promoting the formation of character painting style and the development of Chinese contemporary art.

吉祥文字／一禅画符

作品/萬

材质／纸本

“天垂象派”学说的创建也是这个时代的产物，一个时代是要有一个真正的文化精神楷模，是要有一个强有力的艺术理论构建，也是这个时代必须要有的艺术指示，那么它最重要的一点就是文化属性的时代象征，同时也是新中式艺术风格形成的重要标志，也是中国当代艺术新中式样态发展的使然。一种新艺术风格式样的出现，一定是自然的，是靠自己的生命力所决定的，他的价值属性是由它的文化自性所决定的，是文化基因的强大决定他的未来发展和传承，中国样式的当代性艺术自然也就有了自己的标准，建立中国当代艺术的体系可以说是任重而道远。

最后让引用古代伟大的爱国主义者屈原先生《楚辞.离骚》之著名诗句，“路漫漫其修远兮,吾将上下而求索。”在艺术发展的道路上并不平坦，需要更多的艺术家理论批评家的共同努力。努力寻找更准确的文字文化根系，传承中国文字特有的文化精神，那么新中式抽象主义绘画风格也自然会迎来艺术的春天。

伏羲卦象／一禅画卦

作品／武

材质／纸本

The establishment of the "Heavenly Sage School" theory is also the product of this era. An era is to have a real model of cultural spirit, a strong construction of art theory, and an artistic indication that this era must have. Then its most important point is the symbol of the era of cultural attributes, as well as an important symbol of the formation of the new Chinese style of art, and also the result of the development of the new Chinese style of contemporary art. The emergence of a new art style must be natural and determined by its own vitality. Its value attribute is determined by its cultural autonomy. It is the strength of its cultural genes that determines its future development and inheritance. The contemporary art of Chinese style naturally has its own standards. It is a long way to go to establish a system of Chinese contemporary art.

"There is a long way to go, and I will search up and down". It is not smooth on the road of art development, and it needs the joint efforts of more artists and theoretical critics. Strive to find a more accurate cultural root of Chinese characters and inherit the unique cultural spirit of Chinese characters, then the new Chinese abstract painting style will naturally usher in the spring of art.

吉祥文字/一禅画符

作品/高

材质／纸本

吉祥文字/一禅画符

作品/郭

材质／纸本

吉祥文字/一禅画符（视频）

李刚·一禅／艺术家

1959年（生于新疆）原籍贯江苏省 徐州市

1985年在中央美术学院油画系学习

1993在中央美术学院雕塑系助教研修班学习

1995年在中央美术学院城市雕塑高级研修班学习

曾经任教新疆艺术学院

1996年创办新疆城市雕塑创作设计研究中心

中国雕塑家学会理事

中国当代雕塑研究院副院长

中国工艺美术学会雕塑专业委员会委员

匈牙利 中匈美术家协会副主席

新疆雕塑学会副会长

北京城市规划研究会公共环境与雕塑委员会副主任

原北京城市雕塑办公室专家 顾问

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甲辰年

2024年10月24日

北 京

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