馮偉 / 藝術作品，越界，Feng Wei's works of Art，Cross the border

AAbc原创 / 中国藝術&线上國际

冯伟 中国美术家协会会员 中国摄影家协会会员 浙江国际美术交流协会会员 北京摄影家协会会员 中国版协装帧艺术委员会会员。 中国版协连环画艺委会理事。 中国东方文化研究会连环画分会理事。 中国民俗摄影家协会会士。 中国民主促进会会员 1949年出生就读于中央美术学院《中国新闻出版报》任美术摄影组组长、《中国连环画出版社》第二编辑主任《卡通城》漫画杂志任主编《幻想》杂志资深顾问。《少年漫画》编委《摄影世界》杂志特约摄影师。 Feng WeiMember of China Artists AssociationMember of China Photographers AssociationMember of Zhejiang International Art Exchange AssociationMember of Beijing Photographers AssociationMember of the binding art committee of China Publishing Association.Director of Comic Art Committee of China Publishing Association.Director of comic strip branch of China Oriental Culture Research Association.Member of China Folk Photographers Association.Member of China Association for the promotion of democracyBorn in 1949 He studied at the Central Academy of fine artsChina Press and publication daily served as the head of the art photography groupThe second editorial director of China comic book publishing houseEditor in chief of cartoon city comic magazineSenior Consultant of fantasy magazine.Editorial board member of juvenile comicsSpecial photographer of photography world magazine. 《世界市场开拓指南》荣获1999年第五届全国书籍装帧艺术展览优秀奖《当代诗歌潮流回顾写作艺术借鉴》《世界市场开拓指南》入选1999年第五届全国书籍装帧艺术展览《珍贵动物》插图4幅入选1988年全国儿童美术作品展览主编《小小动物园》1991年在第三届向全国妇女儿童推荐最佳优秀图书活动中，评为优秀图书。主编《哈哈博士科学连环画库》1993年获第二届新闻出版署直属出版社优秀图书编辑二等奖。1994年又荣获第七届中国图书奖. 2007年6月《情缘西藏-宁波籍摄影家冯伟作品展》在宁波美术馆展出，5幅摄影作品被宁波美术馆收藏 2007年国画《赛牦牛图》在“我的雪顿节作品大赛”中获书画组一等奖《幸福生活》等四幅摄影作品入选2009年西藏珠穆朗玛摄影大展 1995年中央春节晚会吉祥物设计获奖者。 1990年参加绘画的《世界通话名著（连环画）》获第三届“中国图书奖” 2011年9月国画《放牧图》被中国美术总社收藏 2014年水墨组画《天地之间》入选中国（临沂）国际艺术大展 2015年11月国画《春》，《天际》参加加拿大国际中国书画名家展被多倫多中华文化中心收藏 2016年6月国画《风云际会》俄罗斯克拉斯诺亚尔斯克市举办的第5届亚洲音乐艺术节获一等奖《去拍西藏》2012年9月在浙江摄影出版社出版《西藏秘境》2010年6月在中国摄影出版社出版《西藏秘境》2006年8月在台湾源桦出版公司出版《情缘西藏》2004年10月在中国青年出版社出版《去拍西藏》2012年9月在浙江摄影出版社出版 1995年中央春节晚会吉祥物设计获奖者。 作品曾多次参加全国性美展、影展。 冯伟印象 与冯伟兄相识已近四十载，四十年前我们在宁波都曾师从于王守华老师学画。春去秋来，岁月匆匆，一晃我们都已成了60、70后老夫矣，人生如梦！ 平日里偶尔去他的画室喝茶、看画、聊天，最近看到他有一些很“特别“的画作呈现，甚是钦佩和欢喜。冯伟兄自小生长在一个干部家庭，从我认识他时就是一个性情开朗、爱好宽泛的文艺青年，书法、绘画、攝影样样精通且都玩的不同一般，这在同辈人中十分难得和令人羡慕。 我说他作品“特别”，主要是指他近期创作完成的一批水墨西藏山水作品，其“特别”处在于他以不同寻常的视角和非司空见惯的手法表现了西藏大山大水的神秘意境以及由此而凸显的大写意水墨这一传统中国画语言在表现现代山水诗意空间上的意趣和努力。这种“特别”在个人有时虽然只是一点点但比重复他人丶重复自然高级一千倍一万倍。 记得当年王守华老师在给我们讲解石壶山水时特别强调石壶笔墨的“趣味”性，画没有趣味是死画，笔墨没有趣味是呆笔墨。从这一点上说冯伟兄是深知个中三昧的，不容易！ 祁恩进 2019. 8.29 冯伟作品 冯伟作品 冯伟作品 冯伟作品 冯伟作品 冯伟作品 Feng Wei's impressionWe have known brother Feng Wei for nearly 40 years. Forty years ago, we learned painting from Mr. Wang Shouhua in Ningbo. Spring goes and autumn comes, and the years are in a hurry. In a flash, we have become post-60s and Post-70s old men. Life is like a dream!On weekdays, I occasionally go to his studio to drink tea, watch paintings and chat. Recently, I saw that he has some very "special" "I admire and rejoice in the presentation of my paintings. Brother Feng Wei grew up in a cadre family when he was young. From the time I knew him, he was a young man of literature and art with cheerful temperament and broad hobbies. He was proficient in calligraphy, painting and photography and played different games, which was very difficult and enviable among his peers.When I say that his works are "special", I mainly refer to a batch of ink Tibetan landscape works he has recently created. The "special" lies in his unusual perspective and non common means to express the mysterious artistic conception of mountains and waters in Tibet and the interest and efforts of capital meaning ink, a traditional Chinese painting language, in expressing the poetic space of modern landscape "Special" is sometimes only a little, but it is 1000 times and 10000 times higher than repeating others and nature.I remember when Mr. Wang Shouhua explained Shihu landscape to us, he especially emphasized the "interest" of Shihu pen and ink. Painting without interest is dead painting, and pen and ink without interest is dead pen and ink. From this point of view, brother Feng Wei knows the samadhi, which is not easy!Qi Enjin2019. 8.29 冯伟作品 冯伟作品 冯伟作品 冯伟作品 冯伟作品 画家眼光影家传奇 在光和作用下大自然的非常之境成了变幻中的一瞬，加之天时地利人和的综合作用，给摄影艺术蒙上了神秘莫测的面纱，充满着“谋事在人，成事在天”式的成败变数。因此，摄影艺术需要发现美的眼光和再现美的方式，也须有独特的体魄与非凡的胆识。当照相技术遇上了善于发现美的眼光，造化之美被凝固成了种种难以言传的永恒。然而，摄影家对于美的发现与把握又受制于季节性光和作用。对于摄影家来说，天下奇观及优美的动态表情，是一种可遇而不可期的机缘巧合。景致在四季更替与朝暮变化中每每呈现出截然不同的意境内涵，何况是捕捉奇幻景象和精彩的生活瞬间，更要有足够的勇气和毅力去跋山涉水，把握最能揭示山川表情的一面。在照相机不甚普及的年代，摄影工作大都缘于工作分配，摄影者多缺乏审美意识，且多不明画理。直到画画的人将审美感受记录在胶片里的时候，才一扫摄影中的美学盲区。作为收集绘画素材的便捷手段，画家出身的冯伟拿起相机深入藏区记录生活感受。未曾料想，一发而不能自己，竟成了艺术摄影的拓荒者。集画家与摄影家于一身的冯伟，自从步入西藏的那天起，便折服于雪域高原的神奇与美丽，从此再也停不下蹈险求真的步履，一心要将所见所感呈现于不同寻常的影照之中。于是，身居京城的画家搁笔停业，数整行囊，九进西藏，数次死里逃生，像是于生死劫难中取经的唐僧，在捕捉大自然神奇瞬间的同时，也留下了一个个历险传奇。当数以千记的美景呈现人前的时候，人迹罕至处也留下了他永恒的人生怀想，故其影作大多带有非凡的情感忆绪。冯伟多愁善感，对于美的形态有着独特的敏感，而感知美的意绪却常常难以持久，抑或时而消散于跳跃性思维之中。也许正是此等与众不同的独特潜质恰好暗合了摄影创作的特性，对于美的敏锐洞察力在照相快门的喀嚓声中一一凝固成了旷世奇观。但凡人物画家都有以速写捕捉人物动态表情和生活场景的能力，人物画家出身的冯伟深谙其中理数，对于把握最能体现生活化情状的动态表情，成了他揭示人物内心世界的法宝。于是趁对象不经意时抓拍，而使所摄人物的瞬间性情态大都生动自然，且具浓郁的生活气息，绝无人物摆拍中的匠气。以至于观者在与影照中的人物相对而视时，总有一种觌面相遇似的感觉。这在给予观者一丝丝亲切之感的同时，也激发了人们的神往之情，此即冯伟西藏人物摄影之所以具有动人魅力的原委所在。雪域高原的神奇在于变幻莫测的内在魅力，在于冰清玉洁式的高雅气质。倘若仅仅局限于外形作浮光猎影式的抓拍往往流于肤浅，无以揭示其内在的美妙。也只有深入腹地与之心灵对语，才能感受其神圣的一面。因而有志为其传神写照的摄影家，不仅要有善于发现美的眼光和吃苦耐劳的体魄，也须有万死不辞的探险精神。画家出身的摄影家冯伟，有着丰富的人生阅历和不同寻常的历险经历，长期的生活历练造就了他深入雪域高原发现美、凝固美的能力。临危不惧、迎难而上的敬业精神使之有幸感受到藏区深处的美妙和神奇，并将其一一幻化成有别于同类题材的摄影佳作，使得神奇的瞬间成为了美妙的永恒。这是冯伟所摄景照胜于同时代摄影家的可贵之处，也是他不负此生使命的欣慰之处。因此，倘若以报告文学式的纪实手法回顾冯伟的摄影经历，他九死一生的过程似乎更其动人。数千幅风光奇观和人物生活景照，一旦与他富有传奇色彩的摄影经历联系在一起，使人不由地联想其小打小闹式的人物画笔墨小品，以及善于发现美却思维跳跃的艺术秉赋，仿佛其旺盛的生命力原本就是为雪域高原造像而生的。当西藏的山山水水、风土人情被凝固成一个又一个神圣的画面而成为永恒之时，冯伟深入西藏腹地险象环生的拍摄经历便有了不同寻常的生命意义，影作所现也就有了独特的人格魅力。 冯伟作品 冯伟作品 冯伟作品 冯伟作品 冯伟作品 As a convenient means of collecting painting materials, Feng Wei, a painter, took a camera and went deep into the Tibetan area to record his life feelings. Unexpectedly, he became a pioneer of art photography. Feng Wei, a painter and photographer, has been impressed by its magic and beauty since he entered Tibet. From then on, he can no longer stop taking risks and seeking truth, and is bent on presenting what he sees and feels in unusual photos. As a result, painters living in the capital stopped writing, closed business, reorganized their bags, entered Tibet six times and escaped from death several times. Like Tang monks who learned from life and death, they also left adventure stories while capturing the magical moments of nature. When thousands of beautiful scenes are presented to people, the inaccessible places leave his eternal thoughts of life, and his works are full of extraordinary emotional memories. Feng Wei is sentimental and has a unique sensitivity to the form of beauty, but the feeling of perceiving beauty is often difficult to last, or even dissipated in jumping thinking. However, these unique potentials coincide with the characteristics of photographic creation, and the keen insight into beauty is successfully realized in the click of the photographic shutter. Most figure painters have the ability to capture characters' dynamic expressions and life scenes with sketches. Feng Wei, who was born as a figure painter, is well versed in the theory of numbers. His grasp of the dynamic table that can best reflect the life situation has become an important magic weapon for him to reveal the characters' inner world. The instantaneous modality of the photographed characters is mostly captured inadvertently by the object, without the craftsmanship of portrait photography. So that when the viewer looks at the characters in the shadow, there is always a feeling of meeting each other. This not only brings a sense of intimacy to the viewer, but also stimulates people's yearning, which is the charm of Feng Wei's Tibetan figure photography. The magic of the snow covered plateau lies in its unpredictable internal charm and its elegant temperament. Only limited to the external deion, can we reveal its inner beauty. Only by going deep into the hinterland and talking to its soul, can we feel its rich side. Photographers who are willing to portray them vividly should not only have a good eye for discovering beauty and a hard-working physique, but also have an adventurous spirit of never giving up. Feng Wei, a photographer born as a painter, has rich life experience and practical experience. His long-term life experience has created his ability to go deep into the snow plateau to discover and create beauty, especially his professionalism to face danger and difficulties, so that he is lucky to feel the beauty and magic in the depths of Tibet, and turn them into photographic works one by one to make them eternal beauty. This is the value of his superiority over his contemporaries, and it is also the reason why he did not disgrace his mission in this life. If we look back on Feng Wei's photographic experience with reportage, the process of his near death seems to be more moving. Thousands of photos of scenery wonders and people's lives, once linked with his legendary photography experience, make people think like this: Feng Wei's previous painting creation, small-scale photography experiments, artistic temperament good at discovering beauty but difficult to last, and vigorous vitality seem to be all kinds of preparations for statues on the snowy plateau. When the mountains, rivers, customs and customs of Tibet are solidified into eternal, Feng Wei's painstaking efforts to photography in Tibet have the meaning of life, and his films are also full of profound personality charm. 冯伟作品 冯伟作品 冯伟作品 冯伟作品 冯伟作品 冯伟作品 逆境的历练对于成就一个人的事业而言，其经历本身即是一笔丰厚的精神财富。此理之于作家如此，画家如此，其他艺术家亦复如是。冯伟为摄影创作就有过种种传奇经历，孤独无援的长途跋涉、九死一生的拍摄过程都没使之胆怯与徬惶，相反使之幡然顿悟，懂得了生命的意义。以至于一次又一次深入西藏腹地，决心将高原谷地神圣高洁的内心世界现于影照之中，使其富有表情的美妙瞬间成为永恒。怀着此等使命感的摄影家不避艰险深入其中而乐此不疲，超越自身生命极限的惊险历程中透出的是一种难以言传的神圣使命，因而景照所现多幽古清远的天堂之美。在我如此回顾其摄影创作过程的时候，作为画家的冯伟已再一次回归笔墨言情的绘画创作，期待他画迹惊世的一天。乙未深秋，籽叙记于灯下（本文作者吴风，系美术史论家、诗人、书画家、金石学家、中国美协会员、中国书协会员、中国美院教授，著有《中国红色美术创作史话》等十四部学术专著。） 冯伟作品 冯伟作品 冯伟作品 冯伟作品 冯伟作品 冯伟作品 The experience of adversity is a rich spiritual wealth for those who achieve their career. This is true of writers, painters and other artists. Feng Wei's photography creation has experienced all kinds of legends. The dangerous shooting process did not make him timid. On the contrary, he had an epiphany and understood the meaning of life. He went deep into the hinterland of Tibet again and again, determined to present the sacred and noble inner world of the plateau Valley in photography, and make its expressive and beautiful moments eternal. With such a sense of mission, photographers do not avoid difficulties and risks, which goes beyond their own limitations and becomes a sacred mission. The shadow works are full of the beauty of ancient and distant heaven. When I analyzed the success or failure of photography creation, Feng Wei, as a painter, has returned to the painting creation of pen, ink and emotion. We look forward to the day when his paintings will shock the world.Lu Zixu is a member of the Chinese Artists Association, a member of the Chinese Calligraphers Association, a visiting professor and an art researcher of the Chinese Academy of fine arts, and has written nine art academic monographs 冯伟作品 冯伟作品 冯伟作品 冯伟作品 冯伟作品 🍁🍁🍁🍁🍁🍁辛丑年2021年12月12日北京出品人/尚柔摄影/冯伟总监／一禅百度搜索“雕塑家李刚”、“李刚立体主义＂可以了解更多有关雕塑家李刚作品艺术及评论欢迎您互相交流相互支持诚挚建立一个良好的交流平台，为能量文化做好自己致敬北京通州区宋庄园领部落C幢4单元102室李刚雕塑艺术工作室AAbc•原创/中国艺术&线上国际欢迎支持转摘.转发中国能量文化 🍁🍁🍁🍁🍁🍁Xin Chou NianDecember 12, 2021BeijingProducer / Shang RouPhotography / Feng WeiDirector / yizenBaidu search"Sculptor Li Gang", "Li Gang Cubism"You can learn more aboutSculptor Li Gang's art works and commentsWelcomeCommunicate with each othersupport each otherSincerely establish a good communication platform,Be yourself for energy culturesaluteRoom 102, unit 4, building C, lingtribe, song manor, Tongzhou District, BeijingLi Gang sculpture art studioAABC • original / Chinese Art & Online InternationalWelcome to support the translation and forwarding of Chinese energy culture

馮偉 / 藝術作品，越 界，Feng Wei's works of Art，Cross the border

AAbc原创 / 中国藝術&amp;线上國际

馮偉 / 藝術作品，越界，Feng Wei's works of Art，Cross the border

AAbc原创 / 中国藝術&线上國际