<p style='margin: 0px 0px 25px; padding: 0px; outline: 0px; text-align: justify; color: rgb(37, 53, 69); text-transform: none; line-height: 30px; text-indent: 0px; letter-spacing: 0.54px; clear: both; font-family: "PingFang SC", SourceHanSansCN, "Hiragino Sans GB", "Microsoft YaHei", "Helvetica Neue", Arial, Helvetica, DINAlternate-Bold; font-size: 17px; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; min-height: 1em; max-width: 100%; box-sizing: border-box !important; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); overflow-wrap: break-word; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; caret-color: rgb(37, 53, 69);'>一个人的成功绝非偶然,而是长期的积累和沉淀,尤其是书法,徐朝江学习书法以欧楷为宗的,深得楷法之妙,尤其是欧楷之法,这不仅仅是勤奋的结果,更是他对书法挚爱的回报,后又开始广泛涉猎诸家,他的路子比较正,走的是一条精一家,学百家之路,在此基础上开始研习柳楷,我们从他的小楷作品上也可以清楚地看到他的小楷还略带柳筋,无论是他的楷书还是小楷现已经达到了一种化境的地步,对于他这般年龄的书法家来说,比较是少数,有了楷书的基础,行书也渐渐成形,他笔下的行书还有启功的气象,让人百看不厌。</p><br class="Apple-interchange-newline">