<p class="ql-block"> 杨峰，中国美术家协会会员、中国文艺评论家协会会员、中国出版工作者协会装帧艺委会会员、吉林省书画院特聘画家、吉林省美术家协会第六届、第七届理事、原吉林省美协理论艺委会副主任、吉林省中国画学会常务理事。研究员。1992年在吉林省革命博物馆举办《杨峰画展》，中央电视台新闻联播报道。出版《吉林民俗审美新论》、《杨峰黑白画作品集》，在学术期刊发表论文50余篇。主持并参与院级及省级重大课题项目多项。国画作品被中央电视台收藏，国画作品被吉林省美术馆收藏，国画作品被北京中艺财富画院收藏多幅，国画被西安世界园艺博览会博物馆收藏， 国画被中国志愿服务基金会收藏。</p><p class="ql-block">Yang Feng, a member of the Chinese Artists Association, a member of the Chinese Literary and Art Critics Association, a member of the Binding Art Committee of the Chinese Publishers Association, a director of the Jilin Artists Association, the deputy director of the Theory and Art Committee of the Jilin Artists Association, and a standing director of the Jilin Chinese Painting Society. Research fellow. In 1992, the "Yang Feng Art Exhibition" was held at the Jilin Provincial Revolutionary Museum, and it was reported on the CCTV News Network. Published "New Theory of Jilin Folk Custom Aesthetics" and "Yang Feng Black and White Painting Collection", and more than 50 papers were published in academic journals. Hosted and participated in many major projects at the institute level and provincial level. Chinese painting works are collected by CCTV, Chinese painting works are collected by the Jilin Provincial Art Museum, many Chinese painting works are collected by the Beijing Zhongyi Fortune Painting Academy, Chinese paintings are collected by the Xi'an World Horticultural Exposition Museum, and Chinese paintings are collected by the China Volunteer Service Foundation.</p><p class="ql-block"> 杨峰擅长花鸟画的创作，他的艺术是用现代人观念和思想分析借鉴古人的传统，是从传统里推陈出新留其精华去其糟粕的产物。具有鲜明的时代感，他把山水与花鸟工笔与写意的笔法融汇进来，构图饱满形象夸张，运用变形符号化等手法打散物体的自然结构进行立体重建。采用局部物象的真实性，与整个画面的装饰性平面性的互补关系，还融入了一些现代艺术和设计的形式理念，形成具有现代观念的构成形态。精微处的形象处理多以重墨焦墨重彩渲染，线条以书法的笔法阴阳顿挫的笔锋入画。背景的泼墨画出雄浑的大环境，做到了枯笔与泼墨的有机结合。其线的精微于朴拙，色的艳丽以浑厚，墨的润泽与苍茫都得到了完美体现，清新质朴天造自然之美，在其笔墨的轻松自由地运用中自然而然的形成。</p><p class="ql-block">Yang Feng is good at the creation of flower-and-bird paintings. His art is to analyze and draw lessons from the traditions of the ancients with the concepts and ideas of modern people, and it is the product of bringing forth the new from the tradition, keeping the essence and discarding the dross. It has a distinct sense of the times. He integrates the techniques of landscape, flower-and-bird meticulous brushwork and freehand brushwork, with full composition and exaggerated images, and uses techniques such as deformation, symbolization, etc. to break up the natural structure of objects for three-dimensional reconstruction. It adopts the complementary relationship between the authenticity of local objects and the decorative and planar nature of the entire picture, and also incorporates some formal concepts of modern art and design to form a composition form with modern concepts. The image processing at the subtle parts is mostly rendered with heavy ink, charred ink and heavy colors, and the lines enter the painting with the calligraphic brushwork of the Yin and Yang pauses and strokes. The splash-ink painting of the background depicts the majestic general environment, achieving the organic combination of dry brush and splash-ink. The subtlety and simplicity of the line, the gorgeousness and thickness of the color, and the moistness and vastness of the ink have all been perfectly reflected. The fresh, simple and natural beauty created by nature is naturally formed in the relaxed and free application of his brush and ink.</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <h3>四尺</h3> <h3>四尺</h3> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <h3>四尺</h3> <h3>四尺</h3> <h3>四尺</h3> <h3>四尺</h3> <h3>四尺</h3> <p class="ql-block">四尺</p> <p class="ql-block">六尺</p> <p class="ql-block">六尺</p> <p class="ql-block">小六尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">四尺</p> <p class="ql-block">小六尺</p> <p class="ql-block">小六尺</p> <p class="ql-block">六尺</p> <p class="ql-block">六尺</p> <p class="ql-block">六尺</p> <p class="ql-block">六尺</p> <p class="ql-block">六尺</p> <p class="ql-block">六尺</p> <p class="ql-block">六尺</p> <p class="ql-block">六尺</p> <p class="ql-block">1米45x2.2米</p> <h3>八尺</h3> <h3>八尺</h3> <p class="ql-block">八尺</p> <p class="ql-block">丈二</p> <p class="ql-block">1992年在吉林省革命博物馆举办《杨峰画展》吉林省美协及长春美协组织座谈会，画展历时15天，影响很大。中央电视台新闻联播报道，《美术观察》《美术界》《美术大观》《经济参考报》《工人日报》《深圳商报》吉林电视台新闻联播及文化栏目《吉林画报》《长春日报》《长春晚报》《长春商报》《吉林美术界》《长春年鉴》等发表作品及报道、评论。</p> <p class="ql-block">2017年12月30日在长春市万达广场举办杨峰中国画作品展览，吉林日报，吉林画报，长春日报，中国社科报网等媒体报道。</p> <p class="ql-block">2019年7月天津宝坻电视台水墨丹青网采访</p> <p class="ql-block">2017年6月国画作品《雄鹫》入选让艺术走进人民 当代中国美术家优秀作品公益展（北京国家会议中心展出）</p> <h3>2019年9月吉林省中国画学会笔会</h3> <h3>2018年吉林省美术家协会组织的写生活动</h3> <p class="ql-block">2015年北京中艺财富画院签约画家，收藏多幅中国画作品。</p> <h3>2015年北京德泰书画院组织的中国美术家协会会员西班牙葡萄牙采风</h3> <p>2019年1月北京李金峰工作室相约西双版纳写生素材创作班吉瑞森教授主讲</p> <p class="ql-block">2019年12月与中央美术学院院长、中国美术家协会主席范迪安在中国美术馆合影</p> <p class="ql-block">主编的吉林画报《美术世界》杂志</p>