西北七期第十二次课集训第八次作业

北漂

<h3>作业格式</h3><h3>龙风西北总院一大区七期第X集训院第八次作业</h3><h3>学员:</h3><h3>学号:</h3><h3>曲度八言绝律第—套近体诗谱(平仄韵共四谱)</h3><h3>&nbsp;</h3><h3>1.曲度式八言绝(律)·题目(韵部)</h3><h3>&nbsp;</h3><h3>平仄仄平平平仄仄</h3><h3>仄平平仄仄仄平平(韵)</h3><h3>仄平平仄仄平平仄</h3><h3>平仄仄平平仄仄平(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>2.曲度式八言绝(律)·题目(韵部)</h3><h3>&nbsp;</h3><h3>平仄仄平平仄仄平(韵)</h3><h3>仄平平仄仄仄平平(韵)</h3><h3>仄平平仄仄平平仄</h3><h3>平仄仄平平仄仄平(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>3.曲度式八言绝(律)·题目(韵部)</h3><h3>&nbsp;</h3><h3>仄平平仄仄仄平平</h3><h3>平仄仄平平平仄仄(韵)</h3><h3>平仄仄平平仄仄平</h3><h3>仄平平仄仄平平仄(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>4.曲度式八言绝(律)·题目(韵部)</h3><h3>&nbsp;</h3><h3>仄平平仄仄平平仄(韵)</h3><h3>平仄仄平平平仄仄(韵)</h3><h3>平仄仄平平仄仄平</h3><h3>仄平平仄仄平平仄(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>完成日期</h3> <h3>第一页</h3><h3>龙风文学院(红二系)曲度诗词教材七期讲义第十二讲</h3><h3>&nbsp;</h3><h3>原著(讲义):曲度(华斌)</h3><h3>备课教官团:红二系备课团</h3><h3>备课督导审核:许广文、刘玉娥</h3><h3>教材校正总督顾问:迈克、白玉</h3><h3>&nbsp;</h3><h3>注:本讲义根据曲度著:曲度诗词教程(中级)教材备课编辑,仅限于龙风文化总社体系内各教学院(社)使用。未经龙风文化总社书面授权,不得转载及其他用途。原著版权所有!</h3><h3>---------------------------------</h3><h3>内容提要</h3><h3>【一】复习第十讲、十一讲讲义相关内容……巩固了解</h3><h3>1.1曲度著:关于近体诗(格律诗)中句子字词意群问题。</h3><h3>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;1.2曲度著:曲度一言绝律近体诗谱、曲度二言绝律近体诗谱、曲度三言绝律近体诗谱之对粘规则格律直观示意图表(表中“○”表示平;“●”表示仄)</h3><h3>&nbsp;</h3><h3>【二】第十二讲的主体内容。…………重点掌握</h3><h3>2.1关于一言绝律与二言绝律质疑之答复(作者:曲度 )</h3><h3>2.2曲度著:曲度八言绝律近体诗谱(两套基本谱系各八式)</h3><h3>2.3曲度著:曲度八言绝律近体诗谱(两套基本谱系各八式)之对粘规则格律直观示意图表(表中“○”表示平;“●”表示仄)</h3><h3>2.4曲度式八言绝律近体诗诗例(按曲度全绝律近体诗谱)</h3><h3>&nbsp;</h3><h3>【三】布置作业</h3><h3>【四】结束语——必要说明</h3><h3>&nbsp;</h3><h3>------------------------------------------------</h3><h3>【一】复习第十讲讲义相关内容</h3><h3>&nbsp;</h3><h3>关于近体诗(格律诗)中句子字词意群问题</h3><h3>作者:曲度&nbsp;&nbsp;</h3><h3>&nbsp;</h3><h3>1.1曲度著:关于近体诗(格律诗)中句子字词意群问题&nbsp;</h3><h3>&nbsp;&nbsp;</h3><h3>一.五言绝律(近体格律诗)&nbsp;</h3><h3>&nbsp;</h3><h3>1.唐五绝律(常式)&nbsp;</h3><h3>&nbsp;</h3><h3>A.句中字词意群(1式)&nbsp;</h3><h3>XX. XX. X&nbsp;</h3><h3>2. 2. 1&nbsp;</h3><h3>&nbsp;</h3><h3>B.句中字词意群(2式)&nbsp;</h3><h3>XX. X. XX&nbsp;</h3><h3>2. 1. 2 &nbsp;</h3><h3>&nbsp;</h3><h3>C.句中字词意群(3式)&nbsp;</h3><h3>XXX. XX&nbsp;</h3><h3>3. 2. &nbsp;</h3><h3>&nbsp;</h3><h3>D.句中字词意群(4式)&nbsp;</h3><h3>XX. XXX&nbsp;</h3><h3>2. 3. &nbsp;</h3><h3>&nbsp;</h3><h3>2.唐五绝律(罕式)&nbsp;</h3><h3>句中字词意群(5式)&nbsp;</h3><h3>X. XX. XX&nbsp;</h3><h3>1. 2. 2. &nbsp;</h3><h3>注:该句式本人创用,一般不用。特别情况下使用有意想不到效果。&nbsp;</h3><h3>&nbsp;</h3><h3>二.七言绝律(近体格律诗)&nbsp;</h3><h3>&nbsp;</h3><h3>除上面五言绝律所有句式前加一个2字词意群之外,尚可见:&nbsp;</h3><h3>&nbsp;</h3><h3>1.唐七绝律句中意群&nbsp;</h3><h3>XX. XXX. XX&nbsp;</h3><h3>2. 3. 2&nbsp;</h3><h3>&nbsp;</h3><h3>2.唐七绝律句中意群&nbsp;</h3><h3>XX. XX. XXX&nbsp;</h3><h3>2. 2. 3&nbsp;</h3><h3>3.唐七绝律句中意群&nbsp;</h3><h3>XXX. XX. XX&nbsp;</h3><h3>3 2 2&nbsp;</h3><h3>&nbsp;</h3><h3>三.唐绝律(近体格律诗)之中字词意群使用&nbsp;</h3><h3>&nbsp;</h3><h3>1.唐绝句&nbsp;</h3><h3>绝句二联,应使用不同的字词意群。&nbsp;</h3><h3>&nbsp;</h3><h3>2.唐律诗&nbsp;</h3><h3>特别提醒,凡唐律诗中间对仗二联,最好使用不同字词意群式。&nbsp;</h3><h3>&nbsp;</h3><h3>四.为何要在一首唐绝律(近体诗)中使用不同字词意群&nbsp;</h3><h3>&nbsp;</h3><h3>1.避免单调性。丰富句式。&nbsp;</h3><h3>2.意像表达本身需要。&nbsp;</h3><h3>3.用意像将读者导入意境之需要。&nbsp;</h3><h3>&nbsp;</h3><h3>曲度&nbsp;IN PARlS&nbsp;</h3><h3>2017.1.12&nbsp;</h3><h3>版权所有</h3><h3>------------------------</h3><h3>龙风文学院(红二系)七期讲义第十二讲 第1页</h3> <h3>第二页</h3><h3>龙风文学院(红二系)七期讲义第十二讲</h3><h3>----------------------------</h3><h3>【一】复习第十一讲讲义相关内容</h3><h3>1.2曲度著:曲度一言绝律近体诗谱、曲度二言绝律近体诗谱、曲度三言绝律近体诗谱之对粘规则格律直观示意图表(表中“○”表示平;“●”表示仄)</h3><h3>&nbsp;</h3><h3>1.2.1曲度一言绝律广义格诗谱I型</h3><h3>&nbsp;</h3><h3>1.曲度一言绝律诗谱1</h3><h3>●,○。●,○。</h3><h3>●,○。●,○。</h3><h3>&nbsp;</h3><h3>2.曲度一言绝律诗谱2</h3><h3>○,○。●,○。</h3><h3>○,○。●,○。</h3><h3>&nbsp;</h3><h3>3.曲度一言绝律诗谱3</h3><h3>○,●。○,●。</h3><h3>○,●。○,●。</h3><h3>&nbsp;</h3><h3>4.曲度一言绝律诗谱4</h3><h3>●,●。○,●。</h3><h3>●,●。○,●。</h3><h3>&nbsp;</h3><h3>D.QU. IN. PARIS&nbsp;版权所有</h3><h3>&nbsp;</h3><h3>1.2.2曲度二言绝律近体诗谱(基本八式)</h3><h3>&nbsp;</h3><h3>一.曲度二言绝律(平韵四式)</h3><h3>&nbsp;</h3><h3>A.押二平韵式</h3><h3>1.仄起仄收(押二平韵)</h3><h3>●●,○○。○●,●○。</h3><h3>(律按粘对规则顺延)</h3><h3>●●,○○。○●,●○。</h3><h3>&nbsp;</h3><h3>2.平起仄收(押二平韵)</h3><h3>○●,●○。●●,○○。</h3><h3>(律按粘对规则顺延)</h3><h3>○●,●○。●●,○○。</h3><h3>&nbsp;</h3><h3>B.押三平韵式</h3><h3>1.平起平收(押三平韵)</h3><h3>○○,●○。●●,○○。</h3><h3>(律按粘对规则顺延)</h3><h3>○●,●○。●●,○○。</h3><h3>&nbsp;</h3><h3>2.仄起平收(押三平韵)</h3><h3>●○,○○。○●,●○。</h3><h3>(律按粘对规则顺延)</h3><h3>●●,○○。○●,○○。</h3><h3>&nbsp;</h3><h3>编者注:第8句顺延“仄平”亦可。原谱“平平”句式,以后“用中”谱再讲。</h3><h3>&nbsp;</h3><h3>二.曲度二言绝律(仄韵四式)</h3><h3>&nbsp;</h3><h3>C.押二仄韵式</h3><h3>1.平起平收(押二仄韵)</h3><h3>○○,●●。●○,○●。</h3><h3>(律按粘对规则顺延)</h3><h3>○○,●●。●○,○●。</h3><h3>&nbsp;</h3><h3>2.仄起平收(押二仄韵)</h3><h3>●○,○●。○○,●●。</h3><h3>(律按粘对规则顺延)</h3><h3>●○,○●。○○,●●。</h3><h3>&nbsp;</h3><h3>D.押三仄韵式</h3><h3>1.仄起仄收(押三仄韵)</h3><h3>●●,○●。○○,●●。</h3><h3>(律按粘对规则顺延)</h3><h3>●○,○●。○○,●●。</h3><h3>&nbsp;</h3><h3>2.平起仄收(押三仄韵)</h3><h3>○●,●●。●○,○●。</h3><h3>(律按粘对规则顺延)</h3><h3>○○,●●。●○,○●。</h3><h3>&nbsp;</h3><h3>D.QU. IN PARIS</h3><h3>版权所有</h3><h3>&nbsp;</h3><h3>1.2.3曲度三言绝律近体诗谱(基本八式)</h3><h3>一.曲度三律(平韵四式)</h3><h3>&nbsp;</h3><h3>A.押二平韵式</h3><h3>&nbsp;</h3><h3>1.平起仄收(押二平韵)</h3><h3>○○●,●●○。</h3><h3>○●●,●○○。</h3><h3>按粘对顺延至律</h3><h3>&nbsp;</h3><h3>○○●,●●○。</h3><h3>○●●,●○○。</h3><h3>&nbsp;</h3><h3>2.平起仄收(押二平韵)</h3><h3>○●●,●○○。</h3><h3>○○●,●●○。</h3><h3>按粘对顺延至律</h3><h3>&nbsp;</h3><h3>○●●,●○○。</h3><h3>○○●,●●○。</h3><h3>&nbsp;</h3><h3>B.押三平韵式</h3><h3>&nbsp;</h3><h3>3.仄起平收(押三平韵)</h3><h3>●●○,●○○。</h3><h3>○○●,●●○。</h3><h3>按粘对顺延至律</h3><h3>&nbsp;</h3><h3>○●●,●○○。</h3><h3>○○●,●●○。</h3><h3>&nbsp;</h3><h3>4.仄起平收(押三平韵)</h3><h3>●○○,●●○。</h3><h3>○●●,●○○。</h3><h3>按粘对顺延至律</h3><h3>&nbsp;</h3><h3>○○●,●●○。</h3><h3>○●●,●○○。</h3><h3>&nbsp;</h3><h3>二.曲度三律(仄韵四式)</h3><h3>&nbsp;</h3><h3>C.押二仄韵式</h3><h3>&nbsp;</h3><h3>5.仄起平收(押二仄韵)</h3><h3>●○○,○●●。</h3><h3>●●○,○○●。</h3><h3>按粘对顺延至律</h3><h3>&nbsp;</h3><h3>●○○,○●●。</h3><h3>●●○,○○●。</h3><h3>&nbsp;</h3><h3>6.仄起平收(押二仄韵)</h3><h3>●●○,○○●。</h3><h3>●○○。○●●。</h3><h3>按粘对顺延至律</h3><h3>&nbsp;</h3><h3>●●○,○○●。</h3><h3>●○○。○●●。</h3><h3>&nbsp;</h3><h3>D.押三仄韵式</h3><h3>&nbsp;</h3><h3>7.平起仄收(押三仄韵)</h3><h3>○○●,○●●。</h3><h3>●●○,○○●。</h3><h3>按粘对顺延至律</h3><h3>&nbsp;</h3><h3>●○○,○●●。</h3><h3>●●○,○○●。</h3><h3>&nbsp;</h3><h3>8.平起仄收(押三仄韵)</h3><h3>○●●,○○●。</h3><h3>●○○,○●●。</h3><h3>按粘对顺延至律</h3><h3>&nbsp;</h3><h3>●●○,○○●。</h3><h3>●○○,○●●。</h3><h3>&nbsp;</h3><h3>D.QU. IN PARIS&nbsp;</h3><h3>版权所有</h3><h3>------------------------</h3><h3>龙风文学院(红二系)七期讲义第十二讲 第2页</h3> <h3>第三页</h3><h3>龙风文学院(红二系)七期讲义第十二讲</h3><h3>----------------------------</h3><h3>【二】第十二讲的主体内容</h3><h3>2.1关于一言绝律与二言绝律质疑之答复</h3><h3>作者:曲度</h3><h3>&nbsp;</h3><h3>关于一言绝律与二言绝律质疑之答复</h3><h3>&nbsp;</h3><h3>一.早期人类语言</h3><h3>&nbsp;</h3><h3>1.人类语言能力是从单字,双字词组慢慢发展到多字词组的。</h3><h3>&nbsp;</h3><h3>2.因此,可以断定我们目前所做的事,先人曾经历过。</h3><h3>&nbsp;</h3><h3>二.精琢练字</h3><h3>&nbsp;</h3><h3>毫无疑问,它是古典诗词的必要表达手段。它也是格律诗词与现代诗之区别之一。</h3><h3>&nbsp;</h3><h3>三.格律与韵</h3><h3>&nbsp;</h3><h3>格律诗字越少,对韵要求越严(从韵字占诗总比例角度来看)。</h3><h3>例如:一言律诗用韵字至少占总用字50%.</h3><h3>二言律诗用韵字至少占总用字25%.</h3><h3>&nbsp;</h3><h3>四.一言律诗算诗吗?</h3><h3>&nbsp;</h3><h3>算。诗的定义至少逢偶押韵。它达到了这一标准。</h3><h3>&nbsp;</h3><h3>五.难写吗?</h3><h3>&nbsp;</h3><h3>当然难写,好写还要我们"21世纪龙风文学流派"成员干吗?前人就早写过了。</h3><h3>&nbsp;</h3><h3>六,史上有过前例吗?</h3><h3>&nbsp;</h3><h3>一言诗从无(或许船夫拉牵船只等时,人类无意识用过)。</h3><h3>二言诗有过。勉强可将易经二言体等纳入。二言绝律则从来没有过。见下面我的研究资料。</h3><h3>&nbsp;</h3><h3>曲度IN PARIS</h3><h3>2017.2.21</h3><h3>****************</h3><h3>回复:</h3><h3>所有诗都要靠人解释。</h3><h3>认真做吧。权当精字练习。</h3><h3>史上没人做过都值得去偿试。</h3><h3>大家都做过或还在做的东西,不值去做。</h3><h3>因你不是吃螃蟹的第一批人。多你一个不多,少你一个不少。</h3><h3>人类就是这样进步的。</h3><h3>对我们来说,任何领域都可探讨。</h3><h3>这种探讨,它们是有价值的。以后再说。</h3><h3>****************</h3><h3>问:</h3><h3>一言也算诗吗?</h3><h3>若不解释咋知?</h3><h3>校长咋想出来的啊?</h3><h3>&nbsp;</h3><h3>------------------------</h3><h3>龙风文学院(红二系)七期讲义第十二讲 第3页</h3> <h3>第四页</h3><h3>龙风文学院(红二系)七期讲义第十二讲</h3><h3>----------------------------</h3><h3>2.2曲度著:曲度八言绝律近体诗谱</h3><h3>&nbsp;</h3><h3>编者注:【曲度著:曲度八言绝律近体诗谱(第一套、第二套基本诗式各八式)</h3><h3>)】中“平起”或“仄起”系以首句的第一字算起,目的为了方便大家理解。而今后我们要研习到的【曲度全绝律近体诗谱籍(用中)】系以首句第二字算起。</h3><h3>&nbsp;</h3><h3>曲度著:八言绝律近体诗谱</h3><h3>&nbsp;</h3><h3>一.曲度八言绝律近体第一套谱系(八个基本诗式)</h3><h3>&nbsp;</h3><h3>1.曲度八绝律第—套近体诗谱(平韵四谱)</h3><h3>&nbsp;</h3><h3>A.平起仄收(二平韵)</h3><h3>平仄仄平平平仄仄</h3><h3>仄平平仄仄仄平平(韵)</h3><h3>仄平平仄仄平平仄</h3><h3>平仄仄平平仄仄平(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>B.仄起仄收(二平韵)</h3><h3>仄平平仄仄平平仄</h3><h3>平仄仄平平仄仄平(韵)</h3><h3>平仄仄平平平仄仄</h3><h3>仄平平仄仄仄平平(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>C.仄起平收(三平韵)</h3><h3>仄平平仄仄仄平平(韵)</h3><h3>平仄仄平平仄仄平(韵)</h3><h3>平仄仄平平平仄仄</h3><h3>仄平平仄仄仄平平(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>D.平起平收(三平韵)</h3><h3>平仄仄平平仄仄平(韵)</h3><h3>仄平平仄仄仄平平(韵)</h3><h3>仄平平仄仄平平仄</h3><h3>平仄仄平平仄仄平(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>2.曲度八绝律第一套近体诗谱(仄韵四谱)</h3><h3>&nbsp;</h3><h3>A.仄起平收(二仄韵)</h3><h3>仄平平仄仄仄平平</h3><h3>平仄仄平平平仄仄(韵)</h3><h3>平仄仄平平仄仄平</h3><h3>仄平平仄仄平平仄(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>B.平起平收(二仄韵)</h3><h3>平仄仄平平仄仄平</h3><h3>仄平平仄仄平平仄(韵)</h3><h3>仄平平仄仄仄平平</h3><h3>平仄仄平平平仄仄(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>C.平起仄收(三仄韵)</h3><h3>平仄仄平平平仄仄(韵)</h3><h3>仄平平仄仄平平仄(韵)</h3><h3>仄平平仄仄仄平平</h3><h3>平仄仄平平平仄仄(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>D.仄起仄收(三仄韵)</h3><h3>仄平平仄仄平平仄(韵)</h3><h3>平仄仄平平平仄仄(韵)</h3><h3>平仄仄平平仄仄平</h3><h3>仄平平仄仄平平仄(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>二.曲度八言绝律近体第二套诗谱(八个基本诗式)</h3><h3>&nbsp;</h3><h3>1.曲度八绝律第二套近体诗谱(平韵四谱)</h3><h3>&nbsp;</h3><h3>A.平起仄收(二平韵式)</h3><h3>平平仄仄平平仄仄</h3><h3>仄仄平平仄仄平平(韵)</h3><h3>仄仄平平仄仄平仄</h3><h3>平平仄仄平平仄平(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>B.仄起仄收(二平韵式)</h3><h3>仄仄平平仄仄平仄</h3><h3>平平仄仄平平仄平(韵)</h3><h3>平平仄仄平平仄仄</h3><h3>仄仄平平仄仄平平(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>C.仄起平收(三平韵式)</h3><h3>仄仄平平仄仄平平(韵)</h3><h3>平平仄仄平平仄平(韵)</h3><h3>平平仄仄平平仄仄</h3><h3>仄仄平平仄仄平平(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>D.平起平收(三平韵式)</h3><h3>平平仄仄平平仄平(韵)</h3><h3>仄仄平平仄仄平平(韵)</h3><h3>仄仄平平仄仄平仄</h3><h3>平平仄仄平平仄平(韵)</h3><h3>&nbsp;</h3><h3>2.曲度八绝律第二套近体诗谱(仄韵四谱)</h3><h3>&nbsp;</h3><h3>A.仄起平收(二仄韵式)</h3><h3>仄仄平平仄仄平平</h3><h3>平平仄仄平平仄仄(韵)</h3><h3>平平仄仄平平仄平</h3><h3>仄仄平平仄仄平仄(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>B.平起平收(二仄韵式)</h3><h3>平平仄仄平平仄平</h3><h3>仄仄平平仄仄平仄(韵)</h3><h3>仄仄平平仄仄平平</h3><h3>平平仄仄平平仄仄(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>C.平起仄收(三仄韵式)</h3><h3>平平仄仄平平仄仄(韵)</h3><h3>仄仄平平仄仄平仄(韵)</h3><h3>仄仄平平仄仄平平</h3><h3>平平仄仄平平仄仄(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>D.仄起仄收(三仄韵)</h3><h3>仄仄平平仄仄平仄(韵)</h3><h3>平平仄仄平平仄仄(韵)</h3><h3>平平仄仄平平仄平</h3><h3>仄仄平平仄仄平仄(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>D.QU IN PARIS</h3><h3>2013.12.30</h3><h3>版权所有</h3><h3>------------------------</h3><h3>龙风文学院(红二系)七期讲义第十二讲 第4页</h3> <h3>第五页</h3><h3>龙风文学院(红二系)七期讲义第十二讲</h3><h3>----------------------------</h3><h3>2.3曲度著:曲度八言绝律近体诗谱之对粘规则格律直观示意图表(表中“○”表示平;“●”表示仄)</h3><h3>&nbsp;</h3><h3>一.曲度八言绝律近体第一套谱系(八个基本诗式)</h3><h3>&nbsp;</h3><h3>1.曲度八绝律第—套近体诗谱(平韵四谱)</h3><h3>&nbsp;</h3><h3>A.平起仄收(二平韵)</h3><h3>○●●○○○●●</h3><h3>●○○●●●○○(韵)</h3><h3>●○○●●○○●</h3><h3>○●●○○●●○(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>B.&nbsp;仄起仄收(二平韵)</h3><h3>●○○●●○○●</h3><h3>○●●○○●●○(韵)</h3><h3>○●●○○○●●</h3><h3>●○○●●●○○(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>C.仄起平收(三平韵)</h3><h3>●○○●●●○○(韵)</h3><h3>○●●○○●●○(韵)</h3><h3>○●●○○○●●</h3><h3>●○○●●●○○(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>D.平起平收(三平韵)</h3><h3>○●●○○●●○(韵)</h3><h3>●○○●●●○○(韵)</h3><h3>●○○●●○○●</h3><h3>○●●○○●●○(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>2.曲度八绝律第一套近体诗谱(仄韵四谱)</h3><h3>&nbsp;</h3><h3>A.仄起平收(二仄韵)</h3><h3>●○○●●●○○</h3><h3>○●●○○○●●(韵)</h3><h3>○●●○○●●○</h3><h3>●○○●●○○●(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>B.平起平收(二仄韵)</h3><h3>○●●○○●●○</h3><h3>●○○●●○○●(韵)</h3><h3>●○○●●●○○</h3><h3>○●●○○○●●(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>C.平起仄收(三仄韵</h3><h3>○●●○○○●●(韵)</h3><h3>●○○●●○○●(韵)</h3><h3>●○○●●●○○</h3><h3>○●●○○○●●(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>D.仄起仄收(三仄韵)</h3><h3>●○○●●○○●(韵)</h3><h3>○●●○○○●●(韵)</h3><h3>○●●○○●●○</h3><h3>●○○●●○○●(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>二.曲度八言绝律近体第二套诗谱(八个基本诗式)</h3><h3>&nbsp;</h3><h3>1.曲度八绝律第二套近体诗谱(平韵四谱)</h3><h3>&nbsp;</h3><h3>A.平起仄收(二平韵式)</h3><h3>○○●●○○●●</h3><h3>●●○○●●○○(韵)</h3><h3>●●○○●●○●</h3><h3>○○●●○○●○(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>B.仄起仄收(二平韵式)</h3><h3>●●○○●●○●</h3><h3>○○●●○○●○(韵)</h3><h3>○○●●○○●●</h3><h3>●●○○●●○○(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>C.仄起平收(三平韵式)</h3><h3>●●○○●●○○(韵)</h3><h3>○○●●○○●○(韵)</h3><h3>○○●●○○●●</h3><h3>●●○○●●○○(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>D.平起平收(三平韵式)</h3><h3>○○●●○○●○(韵)</h3><h3>●●○○●●○○(韵)</h3><h3>●●○○●●○●</h3><h3>○○●●○○●○(韵)</h3><h3>&nbsp;</h3><h3>2.曲度八绝律第二套近体诗谱(仄韵四谱)</h3><h3>&nbsp;</h3><h3>A.仄起平收(二仄韵式)</h3><h3>●●○○●●○○</h3><h3>○○●●○○●●(韵)</h3><h3>○○●●○○●○</h3><h3>●●○○●●○●(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>B.平起平收(二仄韵式)</h3><h3>○○●●○○●○</h3><h3>●●○○●●○●(韵)</h3><h3>●●○○●●○○</h3><h3>○○●●○○●●(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>C.平起仄收(三仄韵式)</h3><h3>○○●●○○●●(韵)</h3><h3>●●○○●●○●(韵)</h3><h3>●●○○●●○○</h3><h3>○○●●○○●●(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>D.仄起仄收(三仄韵)</h3><h3>●●○○●●○●(韵)</h3><h3>○○●●○○●●(韵)</h3><h3>○○●●○○●○</h3><h3>●●○○●●○●(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>D.QU IN PARIS</h3><h3>2013.12.30</h3><h3>版权所有</h3><h3>------------------------</h3><h3>龙风文学院(红二系)七期讲义第十二讲 第5页</h3> <h3>第六页</h3><h3>龙风文学院(红二系)七期讲义第十二讲</h3><h3>----------------------------</h3><h3>2.4曲度式八言绝律近体诗诗例(按曲度全绝律近体诗谱)</h3><h3>&nbsp;</h3><h3>2.4.1曲度大先生:曲度式八言绝律诗诗例</h3><h3>文/华斌(曲度)</h3><h3>&nbsp;</h3><h3>1.曲度式八言绝.兔蟒--上平十一真</h3><h3>&nbsp;</h3><h3>今夜里空中飘大雪,</h3><h3>似天仙往地洒盐银.</h3><h3>未曾思狡兔藏无影,</h3><h3>唯在想莽蛇何匿身.</h3><h3>&nbsp;</h3><h3>2014.2.8(IN PARIS)</h3><h3>注:使用句中意群3212式。</h3><h3>&nbsp;</h3><h3>2.曲度式八言绝.雀鹤--上平十一真</h3><h3>&nbsp;</h3><h3>龙惊大地浊风藏垢,</h3><h3>凤啸碧空清云洗尘.</h3><h3>神界晓雀卑群有伴,</h3><h3>(荒岭里)</h3><h3>圣间知鹤傲独无邻.</h3><h3>(野林中)</h3><h3>2014.2.8(IN PARIS)</h3><h3>注:使用句中意群3212式。</h3><h3>&nbsp;</h3><h3>3.曲度式八言绝.退役兵--下平八庚</h3><h3>&nbsp;</h3><h3>那时光炮雨兽何惊,</h3><h3>何想到弹流禽不声,</h3><h3>都在赞眼前征战士,</h3><h3>但天知谁惜退残兵.</h3><h3>&nbsp;</h3><h3>2014.2.8(IN PARIS)</h3><h3>&nbsp;</h3><h3>4.曲度式八言绝.望尽盈亏月--上平七阳</h3><h3>&nbsp;</h3><h3>那一刻庭前皓夜光,</h3><h3>汝思之地上怎成霜?</h3><h3>谁曾思望尽盈亏月,</h3><h3>惟梦醒身依在异乡.</h3><h3>&nbsp;</h3><h3>2014.2.8(IN PARIS)</h3><h3>&nbsp;</h3><h3>曲度式八言绝句平韵四谱四首(按曲度八言绝律近体谱壹)</h3><h3>文/华斌</h3><h3>&nbsp;</h3><h3>5.曲度式八言绝.暇心(下平十二侵)--BY D.QU</h3><h3>&nbsp;</h3><h3>君不见古今成事者,</h3><h3>谁能离体倦又劳心.</h3><h3>故须知俗雅观成败,</h3><h3>莫忘了繁枝根必深.</h3><h3>&nbsp;</h3><h3>6.曲度式八言绝.养心(下平一先)--BY D.QU(折腰体)</h3><h3>&nbsp;</h3><h3>圣人云大道行天下,</h3><h3>唯世上平生应自然.</h3><h3>君须知六合原无事,</h3><h3>没道理庸人自扰眠.</h3><h3>&nbsp;</h3><h3>7.曲度式八言绝.殚心(上平四支)--BY D.QU</h3><h3>&nbsp;</h3><h3>古之来稚鸟梦腾飞,</h3><h3>人偶见功成凡事推.</h3><h3>然莫忘殚心拼报国,</h3><h3>有人云老骥奋身追.</h3><h3>&nbsp;</h3><h3>8.曲度式八言绝.诚心(上平十灰)--BY D.QU</h3><h3>&nbsp;</h3><h3>凡世见心诚万物开,</h3><h3>也常闻纯敬淡何灾.</h3><h3>若遵循信义风常在,</h3><h3>人注定德功书未来.</h3><h3>&nbsp;</h3><h3>2015.11.28 IN PARIS</h3><h3>版权所有</h3><h3>Huabin 08:16</h3><h3>&nbsp;</h3><h3>曲度式八言绝句仄韵四谱四首(按曲度八言绝律近体诗谱壹)</h3><h3>&nbsp;</h3><h3>9.曲度式八言绝.治心(去声十三问)-仄韵--BY D.QU</h3><h3>&nbsp;</h3><h3>圣人云万物本如萍,</h3><h3>贤者悟扰神风树紊.</h3><h3>君若想争嬴天下棋,</h3><h3>则先思怎把民心酝.</h3><h3>&nbsp;</h3><h3>10.曲度式八言绝.名利(去声七遇)--仄韵--BY D.QU</h3><h3>&nbsp;</h3><h3>君不见争名气时怒,</h3><h3>故当然凡事心无惧.</h3><h3>人虽云好利量能容,</h3><h3>当警惕终归不知恶.</h3><h3>&nbsp;</h3><h3>11.曲度式八言绝.笃行(上声二十三梗)--BY D.QU</h3><h3>&nbsp;</h3><h3>若洞晓心如老子静,</h3><h3>汝身轻飞入蓬莱境.</h3><h3>若知之凡事谨躬行,</h3><h3>则最后成功途可骋.</h3><h3>&nbsp;</h3><h3>12.曲度式八言绝.名利(上声十七筱)--仄韵(孤雁格)--BY D.QU</h3><h3>&nbsp;</h3><h3>汝当闻知足三餐饱,</h3><h3>君不见贪婪天地小.</h3><h3>君不见虚名终暴光,</h3><h3>到头来世欲何时了.</h3><h3>&nbsp;</h3><h3>2015.11.28 IN PARIS(初稿)</h3><h3>版权所有</h3><h3>------------------------</h3><h3>龙风文学院(红二系)七期讲义第十二讲 第6页</h3> <h3>第七页</h3><h3>龙风文学院(红二系)七期讲义第十二讲</h3><h3>----------------------------</h3><h3>2.4.2迈克教授:曲度式八言绝律诗诗例</h3><h3>&nbsp;</h3><h3>曲度式八言绝句四首(按曲度八言绝律近体诗谱)</h3><h3>文/迈克</h3><h3>&nbsp;</h3><h3>1.曲度式八言绝.庐山--上平一东</h3><h3>&nbsp;</h3><h3>远处望烟云遮秀岭,</h3><h3>车经时路转伴微风。</h3><h3>猛回头平地孤山起,</h3><h3>似整个庐山迷雾中。</h3><h3>&nbsp;</h3><h3>2.曲度式八言绝.江水--上平十二文</h3><h3>&nbsp;</h3><h3>莫多思渺渺红尘事,</h3><h3>真难为凄凄天地分。</h3><h3>唯只见江中流现水,</h3><h3>谁观之天空荡旧云。</h3><h3>&nbsp;</h3><h3>3.曲度式八言绝.山村--下平六麻</h3><h3>&nbsp;</h3><h3>僻山村三五户人家,</h3><h3>观空中烟饮似飘花。</h3><h3>破晓际鸡鸣天下醒,</h3><h3>见奔来犬吠赶朝霞。</h3><h3>&nbsp;</h3><h3>4.曲度式八言绝.时空--上平八齐(孤雁格)</h3><h3>&nbsp;</h3><h3>君不见春江流向西,</h3><h3>也常观萍落雪成泥。</h3><h3>世人知万物质能转,</h3><h3>几者觉时空瞬间离。</h3><h3>&nbsp;</h3><h3>2017.1.10</h3><h3>&nbsp;</h3><h3>2.4.3白玉教授:曲度式八言绝律诗诗例</h3><h3>&nbsp;</h3><h3>曲度式八言绝句四首(按曲度八言绝律近体诗谱)</h3><h3>文/白玉</h3><h3>&nbsp;</h3><h3>曲度式八言绝.庐山--上平一先</h3><h3>&nbsp;</h3><h3>峰险耸立长江岸上,</h3><h3>风中来雨去万干年。</h3><h3>腾云时美若天仙境,</h3><h3>驾雾际蓬莱也靠边。</h3><h3>&nbsp;</h3><h3>曲度式八言绝.咏柳--上平四支</h3><h3>&nbsp;</h3><h3>世谁知岸柳知春意,</h3><h3>适遇到东风吐绿枝。</h3><h3>如倩女柔身轻步舞,</h3><h3>可谁知几度换衣披。</h3><h3>&nbsp;</h3><h3>曲度式八言绝.北海--上平十一真</h3><h3>&nbsp;</h3><h3>静悠悠北海色如春,</h3><h3>杨柳荡扬嘲笑市尘。</h3><h3>白塔态端身如碧玉,</h3><h3>湖中莲放驻步行人。</h3><h3>&nbsp;</h3><h3>曲度式八言绝.田园--下平七阳</h3><h3>&nbsp;</h3><h3>闲假见池中水溢塘,</h3><h3>耳边闻鸟语桂花香。</h3><h3>僻庄飞鹅闹寻鸡斗,</h3><h3>田野波涛起油菜黄。</h3><h3>&nbsp;</h3><h3>&nbsp;</h3><h3>(曲度式八言绝律诗诗例待续)</h3><h3>------------------------</h3><h3>龙风文学院(红二系)七期讲义第十二讲 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<h3>第八页</h3><h3>龙风文学院(红二系)七期讲义第十二讲</h3><h3>----------------------------</h3><h3>2.4.4天虹副社长:曲度式八言绝律诗诗例</h3><h3>&nbsp;</h3><h3>曲度式八言绝句四首(按曲度八言绝律近体诗谱)</h3><h3>文/天虹</h3><h3>&nbsp;</h3><h3>1.曲度式八言绝.离骚--下平四豪</h3><h3>&nbsp;</h3><h3>圣者道情怀昭日月,</h3><h3>史书遗屈子赋离骚。</h3><h3>汝非知福寿山思圣,</h3><h3>当应晓湘江水忆豪。</h3><h3>&nbsp;</h3><h3>2.曲度式八言绝.孤松--新韵十一庚</h3><h3>&nbsp;</h3><h3>古来之劲草疾风晓,</h3><h3>君不见庐山悬壁松。</h3><h3>曾经历春秋无数季,</h3><h3>任凭汝西东北南风。</h3><h3>&nbsp;</h3><h3>3.曲度式八言绝.桂林--上平一东(孤雁格)</h3><h3>&nbsp;</h3><h3>象鼻形如吸水之龙,</h3><h3>孤峰独秀生云卷风。</h3><h3>山水桂林风光不尽,</h3><h3>引来天下贵客无穷。</h3><h3>&nbsp;</h3><h3>4.曲度式八言绝.黄鹤楼--下平十一尤</h3><h3>&nbsp;</h3><h3>一座古搂名冠九州,</h3><h3>遗篇无数万载风流。</h3><h3>巫山云雨楚王怀愧,</h3><h3>江中往来无际泛舟。</h3><h3>&nbsp;</h3><h3>2.4.5苏菲副社长:曲度式八言绝律诗诗例</h3><h3>&nbsp;</h3><h3>曲度式八言绝句四首(按曲度八言绝律近体诗谱)</h3><h3>文/苏菲(英国)</h3><h3>&nbsp;</h3><h3>1.曲度式八言绝.庐山--新韵十二齐</h3><h3>&nbsp;</h3><h3>风啸啸穿身掠耳过,</h3><h3>云飘飘罩岭浸峰奇。</h3><h3>晚霞催欲返仍回首,</h3><h3>峰雾漫名山骚客迷。</h3><h3>&nbsp;</h3><h3>2.曲度式八言绝.咏竹--新韵八寒</h3><h3>&nbsp;</h3><h3>冰肌身傲骨非凡势,</h3><h3>佳体魄春惊欲托天。</h3><h3>观外表空心枝尽挺,</h3><h3>实思之松柏战年寒。</h3><h3>&nbsp;</h3><h3>3.曲度式八言绝.长城--上平一东</h3><h3>&nbsp;</h3><h3>一条长蟒跨越西东,</h3><h3>如凤舞之形如巨龙。</h3><h3>天下罕闻工程万里,</h3><h3>庞然珍物到底如空。</h3><h3>&nbsp;</h3><h3>4.曲度式八言绝.湖山--下平七阳</h3><h3>&nbsp;</h3><h3>天正午湖清日影长,</h3><h3>凭栏观岭色映风光。</h3><h3>江面上鹭频升与降,</h3><h3>见船中老者水沾裳。</h3><h3>&nbsp;</h3><h3>&nbsp;</h3><h3>------------------------</h3><h3>龙风文学院(红二系)七期讲义第十二讲 第8页</h3> <h3>第九页</h3><h3>龙风文学院(红二系)七期讲义第十二讲</h3><h3>----------------------------</h3><h3>2.4.6刘玉娥副社长:曲度式八言绝律诗诗例</h3><h3>&nbsp;</h3><h3>1.曲度式八言律•心灯旷敞(上平十五删)</h3><h3>&nbsp;</h3><h3>城观夜晚彩星忽闪,</h3><h3>马路高楼商铺竟颜。</h3><h3>千转炫装翩翩起舞,</h3><h3>万端仪态浅浅淙潺。</h3><h3>光华四射照澄鸿路,</h3><h3>静寂三更书海史牵。</h3><h3>凝默祷求心灯旷敞,</h3><h3>断言诗赋曲唱斑斓。</h3><h3>&nbsp;</h3><h3>2.曲度式八言排律•善灯长明(去声十五翰)</h3><h3>&nbsp;</h3><h3>万事千题善意先行,</h3><h3>诚心化景鸿辉璀璨。</h3><h3>吉花富朵层层露曦,</h3><h3>旅雁人形呖呖欢瀚。</h3><h3>水映莲荷偶起丰纹,</h3><h3>山风草赋频撩发冠。</h3><h3>阳光媚照姿扬势张,</h3><h3>月色阑珊静寂幽漫。</h3><h3>智慧英倾属者良言,</h3><h3>壕沟石壑如平锦缎。</h3><h3>&nbsp;</h3><h3>2018.02.25</h3><h3>&nbsp;</h3><h3>2.4.7许广文副总教督:曲度式八言绝律诗诗例</h3><h3>&nbsp;</h3><h3>中国四大名亭:《醉翁亭》、《陶然亭》、《爱晚亭》、《湖心亭》四首</h3><h3>&nbsp;</h3><h3>1.曲度式八言律•醉翁亭(下平七阳)</h3><h3>&nbsp;</h3><h3>深秀叠峦琅琊壁设,</h3><h3>曲溪流畅古韵悠扬。</h3><h3>步丛花草木林葱郁,</h3><h3>吟对鸟鸣碑立野芳。</h3><h3>浮耳让泉琤琮濑石,</h3><h3>无心归岫荡漾云浆。</h3><h3>欧梅风雪逸香亭醉,</h3><h3>檐落紫薇苏字绕梁。</h3><h3>&nbsp;</h3><h3>2.曲度式八言律•陶然亭(上平四支)</h3><h3>&nbsp;</h3><h3>黑龙潭浅北坐窑台,</h3><h3>哪吒刺梅环屿柳垂。</h3><h3>檐映碧波红光浸月,</h3><h3>槛拦烟雨紫阁迷池。</h3><h3>四围空旷欲通蓬岛,</h3><h3>千丈镜明仙境觊窥。</h3><h3>闲步胜欢鸢鱼跃趣,</h3><h3>菊黄佳酿醉暮云迟。</h3><h3>&nbsp;</h3><h3>3.曲度式八言律•爱晚亭(上声四纸)</h3><h3>&nbsp;</h3><h3>麓山枫峡宝顶攒尖,</h3><h3>梁柱构空花岗石倚。</h3><h3>文烂灿金明亮古亭,</h3><h3>笔峰银絮焕然新址。</h3><h3>坐听江海万里风云,</h3><h3>迎面隔林千年妙理。</h3><h3>红叶盛情余胜几游?</h3><h3>毕冠袁戴但求原委。</h3><h3>&nbsp;</h3><h3>4.曲度式八言律•湖心亭(去声十五翰)</h3><h3>&nbsp;</h3><h3>垂柳岛帘花香溢岸,</h3><h3>草圆飞雪瓦琉璃换。</h3><h3>远山依旧落日春秋,</h3><h3>深水出陈浮评月旦。</h3><h3>光彩映辉波潋槛台,</h3><h3>暮云迟谢阮墩携畔。</h3><h3>雅碑虫二寂诉无垠,</h3><h3>湖石濑音冬铃夏弹。</h3><h3>&nbsp;</h3><h3>2017.07.23晚初稿</h3><h3>------------------------</h3><h3>龙风文学院(红二系)七期讲义第十二讲 第9页</h3> <h3>第十页</h3><h3>龙风文学院(红二系)七期讲义第十二讲</h3><h3>----------------------------</h3><h3>【三】布置作业(红二系曲 长平、陈勇布置)</h3><h3>&nbsp;</h3><h3>龙风文学院七期第八次作业布置:</h3><h3>&nbsp;</h3><h3>1.曲度式八言绝律近体诗四首。</h3><h3>2.严格按下列诗谱写作。</h3><h3>3.主题(中国十大名山)或自拟,用平水韵。</h3><h3>4.注意谋篇、起承转合。</h3><h3>5.自己校对好平仄后上交。</h3><h3>6.截止:</h3><h3>7.作业提交格式:</h3><h3>&nbsp;</h3><h3>龙风文学院xx系xx大区七期第八次作业</h3><h3>&nbsp;</h3><h3>xx大区集训x院</h3><h3>学员:</h3><h3>学号:</h3><h3>-----------------------------------</h3><h3>&nbsp;</h3><h3>曲度八言绝律第—套近体诗谱(平仄韵共四谱)</h3><h3>&nbsp;</h3><h3>1.曲度式八言绝(律)·题目(韵部)</h3><h3>&nbsp;</h3><h3>平仄仄平平平仄仄</h3><h3>仄平平仄仄仄平平(韵)</h3><h3>仄平平仄仄平平仄</h3><h3>平仄仄平平仄仄平(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>2.曲度式八言绝(律)·题目(韵部)</h3><h3>&nbsp;</h3><h3>平仄仄平平仄仄平(韵)</h3><h3>仄平平仄仄仄平平(韵)</h3><h3>仄平平仄仄平平仄</h3><h3>平仄仄平平仄仄平(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>3.曲度式八言绝(律)·题目(韵部)</h3><h3>&nbsp;</h3><h3>仄平平仄仄仄平平</h3><h3>平仄仄平平平仄仄(韵)</h3><h3>平仄仄平平仄仄平</h3><h3>仄平平仄仄平平仄(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>4.曲度式八言绝(律)·题目(韵部)</h3><h3>&nbsp;</h3><h3>仄平平仄仄平平仄(韵)</h3><h3>平仄仄平平平仄仄(韵)</h3><h3>平仄仄平平仄仄平</h3><h3>仄平平仄仄平平仄(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>版权所有</h3><h3>---------------------------------------------</h3><h3>注:</h3><h3>1.提交作业不要带诗谱。</h3><h3>2.本次作业四首诗题目前一律标注:“曲度式x言绝(律)”(具体见上面作业提交格式要求)。</h3><h3>&nbsp;</h3><h3>龙风文学院红二系曲长平、陈勇布置</h3><h3>------------------------</h3><h3>龙风文学院(红二系)七期讲义第十二讲 第10页</h3><h3>&nbsp;</h3><h3>&nbsp;</h3> <h3>第十一页</h3><h3>龙风文学院(红二系)七期讲义第十二讲</h3><h3>----------------------------</h3><h3>【四】结束语</h3><h3>&nbsp;</h3><h3>@所有人,这一讲我们复习了:曲度著:关于近体诗(格律诗)中句子字词意群问题以及曲度著:曲度一言绝律近体诗谱、曲度二言绝律近体诗谱、曲度三言绝律近体诗谱之对粘规则格律。希望大家平时抽时间依谱多练习多创作。同时我们一起研习了曲度八言绝律近体诗谱。今天我们就摘录曲度大先生曾经发刊时一段话,作为这一讲的结束语:</h3><h3>&nbsp;</h3><h3>『三.八言绝律之创作困难</h3><h3>1.无须忌言,八言绝律创作难度,远远超过五(七)绝律,以至于在刚开始创作的时候,我们"21世纪龙风诗词流派"中一些创作近体格律诗词之好手,也产生为难情绪。</h3><h3>2.在漫长的中国文学史上,我们许多才气横溢的祖先们,肯定也偿试过创作八言绝律,但为何没有一首符合近体诗规则的八言绝律传世?既使连八言体诗也廖廖无几(不足百首)留给我们后人,这个问题值得我们深究。</h3><h3>3.我们坦然承认,这一批八言绝律之中,有不少首诗质量并不高,但有一点是勿用置疑的,所有参与这次行动的创作者,都是好样的,都是勇敢者,都是中国文学上第—批敢吃螃蟹之人。』(龙风诗刊第G005期刊刊语)</h3><h3>&nbsp;</h3><h3>下一堂课,我们讲授曲度九言绝律近体诗谱。敬请关注。今天的课就讲到这。谢谢大家!本次作业由@--班长收录,我代表所有学员感谢您的无私奉献!</h3><h3>&nbsp;</h3><h3>------------------------</h3><h3>龙风文学院(红二系)七期讲义第十二讲 第11页</h3> <h3>第十二页</h3><h3>龙风西北总院一大区七期第X集训院第八次作业</h3><h3>学员:</h3><h3>学号:</h3><h3>曲度八言绝律第—套近体诗谱(平仄韵共四谱)</h3><h3>&nbsp;</h3><h3>1.曲度式八言绝(律)·题目(韵部)</h3><h3>&nbsp;</h3><h3>平仄仄平平平仄仄</h3><h3>仄平平仄仄仄平平(韵)</h3><h3>仄平平仄仄平平仄</h3><h3>平仄仄平平仄仄平(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>2.曲度式八言绝(律)·题目(韵部)</h3><h3>&nbsp;</h3><h3>平仄仄平平仄仄平(韵)</h3><h3>仄平平仄仄仄平平(韵)</h3><h3>仄平平仄仄平平仄</h3><h3>平仄仄平平仄仄平(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>3.曲度式八言绝(律)·题目(韵部)</h3><h3>&nbsp;</h3><h3>仄平平仄仄仄平平</h3><h3>平仄仄平平平仄仄(韵)</h3><h3>平仄仄平平仄仄平</h3><h3>仄平平仄仄平平仄(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>4.曲度式八言绝(律)·题目(韵部)</h3><h3>&nbsp;</h3><h3>仄平平仄仄平平仄(韵)</h3><h3>平仄仄平平平仄仄(韵)</h3><h3>平仄仄平平仄仄平</h3><h3>仄平平仄仄平平仄(韵)</h3><h3>(律按粘对规则顺延)</h3><h3>&nbsp;</h3><h3>完成日期</h3>