意醉饱泼三两笔，目满繁花半塘诗。

《中国画*品逸》

編輯/燎原

繪畫/文/鄭亞林

設計/朱少安

出品/《國畫✺品逸》

Painting creation, go through the process of perception, experience and imagination, per se, is a process by the accumulation of quantitative change to qualitative change, is a microcosm of life after art processing, is not just a simple repeat, copy and imitation, which is why thought, connotation and art, and works to express their individuality, always unforgettable. Just like the poems, poems and articles that won universal praise during the Tang, Song and Jin dynasties, although they have experienced the vicissitudes of the distant past, they still keep people in mind and constantly inspire people's imagination. Eighteen years ago, when I was a student in Hangzhou, I went to Suzhou by road. After seeing the Qinhuai River described in books -- the River in the water, the sound of water and the shadows of lights, I really experienced the effect of the relationship between leisure and memory.

I do not know how many people in the past have been intoxicated with Mr. Zhu Ziqing's fine words and brilliant pen, and I do not know how many people have read his article after imagination. It is a pity that the lively and prosperous days of the past no longer exist, but people are still melancholy and wistfully impressed by Mr. A's exquisite writing and wander in his picturesque prose. And who can deny the sight of thousands of lights flashing out when the OARS strike the water? This is the following-up force that the humanistic spirit yearns for the nature, and also the powerful proof that the art cannot leave the living environment.

Painting is like writing an article, painting to every detail; Write simply and to the point. It is like painting a portrait of oneself, painting oneself and infecting others. Can arouse the reader resonance works, but also can arouse people's memories and thoughts, so, how can people forget? Even if it's ten years, twenty years, or more... Because it is brewed with the soul of the pure, maybe a cup, enough to let you drunk and memory forever... .

　　绘画创作，都要经过感知、体验与想象的过程，就其本身来说，是一个由量变积累到质变的过程，是对生活艺术加工后的缩影，绝非一味简单的重复、复制与模仿， 这就是为什么有思想、有意蕴、重技艺、抒个性的作品，总是令人难忘的原因所在。就像唐、宋、晋时期那脍炙人口的诗、词、文章，尽管经历了那久远的沧桑，却依然让人们不忘，并时刻激发着人们的想象。十八年前，我于杭城读书，假道去苏州，在看到了那曾在书本上描述的秦淮河——浆声、灯影里的秦淮河后，才真正让我体味到了那种逸品与记忆的关系所带来的效应。

     也不知过去曾有多少人沉醉于朱自清先生的精言妙笔，也不知有多少人读过他的文章后尽情想象。遗憾的是如今昔日的热闹与繁华已不存在，但人们仍然在惆怅和留恋之余，折服于先生的精手妙笔，徜徉在先生如诗如画的文辞里。又有谁会否认那船桨击水，明灭忽现的万家灯影之景呢？这就是人文精神向往自然的后续力量，也是艺术离不开生活环境的有力证明。

作画，如同写文章，画到细处，面面俱到；写到简处，言简意赅。如同给自己画肖像，画的是自己，感染的是别人。能引起读者共鸣之作，又能唤起人们的回忆和思念，如此这般，又怎能让人忘记？哪怕是十年，二十年，甚至更久远……因为那是用心灵酿造的良纯，或许一杯，就足够让你沉醉并记忆永恒……。

春漫时分鲜闻她，披绿簇拥任寂暇。不与芬芳共日月，独为傲霜展凝华。

才扯罗盖芙蕖河，又见红叶牙石坡。冷意渐有文味拙，热注秋羽舞婆娑。

怎讥艺力纸不穿？墨无精渲诗空言。自呓独哝无可责，躬亲不达颜可堪？。

一双欢愉漂莲池，野河涨漫近叶低。对水作镜修靓羽，遇波抖翼现丽姿。

弥天扯线千万条，尽探箭首凝云霄。欲让清风高洁在，除却冗繁留修条。

夜半雷音起梅坞，此景已是别处无。但闻柳林布谷鸣，春深又见山踯躅。

祷寿祈愿于事初，祥鹤却与别物殊。福禄岂惟古松影？身近梅竹庸贱无。

生性迎霜最孤傲，鲜有它芳伴岁途。其身非与春花比，冷艳放时万籁无。

《咏梅》还需情意中，未晓傲骨韵岂浓？自为上口皆精句，笑汝学浅与孩同。

青腾园里常挥笔，虬枝梅林做花痴。今问芳华谁主宰，百花凋尽第一枝。

为学自律学唐人，案几床头尽诗云。书斋仰首观素雪，绣楼低眉听竹吟。

竹丛观趣忆孩提，天地物人自一理。憨态可掬稚态拙，也仿顽童学鸡啼。

郑亚林 ，毕业于中国美术学院中国画专业本科，美术学中国画写意花鸟方向硕士研究生，文学硕士学位，国家一级美术师。

【特此声明】链接中的所有诗文、繪畫均為郑亚林先生原創作品，未經允許不得侵權。如有发现剽竊、抄錄并用作他处，本编辑部将保留追究侵权者法律责任的权利。